Elizabethtown - Volume 2

• SOUNDTRACK ELIZABETHTOWN 2

DVD - MovieElizabethtown has all of the elements of a great Cameron Crowe movie, but none of the Cameron Crowe vision that made Almost Famous work. It's mostly a series of sweet moments, each capped with the right song at the right time; in fact, the soundtrack is the real star of the movie, and the right song is all there is to piece together a film that is much less than the sum of its parts.

From the start of Elizabethtown, big contrasts are evoked: death and life, success and failure are side by side, so we're told. When the movie starts, Drew Baylor (Orlando Bloom) is experiencing failure and death in spades: the shoe he spent eight years designing for Mercury (a thinly-veiled copy of Nike) has been recalled, costing his company $972 million dollars. On the verge of a suicide attempt, he learns his father has died, and Drew flies to! Kentucky to retrieve the body to Oregon for cremation. On the red-eye to Louisville he meets Claire Colburn (Kirsten Dunst), a perky flight att'ndant with a charming flair for cute lines ("I'm impossible to forget, but I’m hard to remember," she chirps). Once in Elizabethtown, Drew tries to plan a memorial while dealing with relatives who have their own agenda in addition to his manic family back in Oregon, all while facing the reality that in a few days he'll be known nationally as one of his industry's most legendary failures. Yet still he manages to connect with Claire on an all-night cell phone conversation--complete with the requisite watching of the sunrise--and to strike up a furtive romance.

So we now have death and life side by side. But despite these dramatic shifts, what sets up to be a roller coaster ride of a film flattens out to a milquetoast middle ground with no real life of its own. Drew Baylor has suffered two tragic personal losses in the course o! f one day, but you wouldn't know it from Bloom's lethargic per! formance . There's not much to Claire either. Her whole character is made up mostly of cutesy quotable lines and mysterious little smirks. In the end, Elizabethtown is a film that doesn't know what it wants to be, and unfortunately there's no payoff, other than a few memorable lines and a great soundtrack. --Dan VanciniJUST AFTER HAVING BEEN FIRED FROM HIS JOB, DREW RECEIVES NEWS THAT HIS FATHER HAS JUST DIED & HE MUST VISIT HIS FAMILY IN HIS HOMETOWN OF ELIZABETHTOWN, KY. ON HIS WAY TO PICK UP HIS FATHERSBODY HE MEETS AN EFFERVESCENT FLIGHT ATTENDANT WHO, ALONG WITHHIS FAMILY, HELPS HIM DISCOVER THE TRUE MEANING OF HAPPINESS.Elizabethtown has all of the elements of a great Cameron Crowe movie, but none of the Cameron Crowe vision that made Almost Famous work. It's mostly a series of sweet moments, each capped with the right song at the right time; in fact, the soundtrack is the real star of the movie, and the right song is all there is to piece together a! film that is much less than the sum of its parts.

From the start of Elizabethtown, big contrasts are evoked: death and life, success and failure are side by side, so we're told. When the movie starts, Drew Baylor (Orlando Bloom) is experiencing failure and death in spades: the shoe he spent eight years designing for Mercury (a thinly-veiled copy of Nike) has been recalled, costing his company $972 million dollars. On the verge of a suicide attempt, he learns his father has died, and Drew flies to Kentucky to retrieve the body to Oregon for cremation. On the red-eye to Louisville he meets Claire Colburn (Kirsten Dunst), a perky flight att'ndant with a charming flair for cute lines ("I'm impossible to forget, but I’m hard to remember," she chirps). Once in Elizabethtown, Drew tries to plan a memorial while dealing with relatives who have their own agenda in addition to his manic family back in Oregon, all while facing the reality that in a few days he'll be kn! own nationally as one of his industry's most legendary failure! s. Yet s till he manages to connect with Claire on an all-night cell phone conversation--complete with the requisite watching of the sunrise--and to strike up a furtive romance.

So we now have death and life side by side. But despite these dramatic shifts, what sets up to be a roller coaster ride of a film flattens out to a milquetoast middle ground with no real life of its own. Drew Baylor has suffered two tragic personal losses in the course of one day, but you wouldn't know it from Bloom's lethargic performance. There's not much to Claire either. Her whole character is made up mostly of cutesy quotable lines and mysterious little smirks. In the end, Elizabethtown is a film that doesn't know what it wants to be, and unfortunately there's no payoff, other than a few memorable lines and a great soundtrack. --Dan VanciniElizabethtown Soundtrack: Volume 2Director Cameron Crowe is the kind of guy who you just know makes killer custom compilations for h! is friends. Lucky for us, this is basically what this album is. While it¹s nominally linked to Crowe's movie of the same name, it feels like a leisurely stroll down his record shelves. The tone here is a lot more varied than on the first CD, which was mostly rootsy Americana. Sure, there are return artists like Tom Petty ("Learning to Fly," from 1991's Into the Great Wide Open), Ryan Adams ("Words"), and Lindsey Buckingham ("Big Love"), but the newcomers are more intriguing. Two of the best and least expected ones are paired in the middle of the album. The lovely, dreamy "...Passing By" was culled from the 2001 debut by German electronica master Ulrich Schnauss; following it are Sweden's Concretes and their buoyant, '60s-infused "You Can't Hurry Love" (not the Supremes tune). Meanwhile, Rachael Yamagata's "Jesus Was a Crossmaker" is a cover, and it preserves the wonderful mix of folk and pop of the 1971 original by cult icon Judee Sill. This is the rare seque! l that feels richer than the album it follows. --Elisabeth ! Vincente lli

Crank 2: High Voltage Poster Movie Romanian 11x17 Jason Statham Amy Smart Bai Ling Corey Haim

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You can’t keep a good man down. Jason Statham is back as Chev Chelios â€" this time to retrieve his stolen heart (that’s right, he’s running on battery power). High-octane and truly electrifying! T! he critics have not been very kind to Crank: High Voltage. But what do they know? Here’s what this movie has going for it: gratuitous nudity, mindless violence, constant profanity, and a ridiculous storyline. Add to that stereotypes galore (gay, Asian, Latino, the neuropsychiatrically disabled, you name it), strippers with guns, a strike by porn actors (with a cameo appearance by Ron Jeremy), and a guy who refers to his heart as a "strawberry tart," and one can only wonder what’s not to like. In fact, writer-director-producers Mark Neveldine and Brian Taylor’s sequel to 2006’s Crank is an absolute hoot, a non-stop assault of crazy sights and sounds that will leave you breathless and laughing. As the action starts, Jason Statham’s Chev Chelios has not only survived the fall from a helicopter that ended the earlier film, but is now on the operating table, awake and watching as some Chinese villains harvest his "tart" in order to implant it! in their aging leader (a wacky turn by David Carradine). Chev! quickly dispatches the bad guys, but the fun’s just starting; the mechanical ticker they’ve put inside him needs constant recharging, so as Chev pursues the real organ, he must use whatever’s available (jumper cables, a police taser, a car cigarette lighter, high voltage power lines) to keep the fake one going. Storywise, that’s about it. But it’s plenty, as the filmmakers’ ultra-kinetic style--with its manic edits, cartoony subtitles, and other envelope-stretching effects--and amusing performances by Amy Smart (as Chev’s girlfriend), Dwight Yoakam (as a "doctor" who helps him figure out what’s happening), and others keep things going. No, Crank: High Voltage ain’t exactly Masterpiece Theater, but this is without a doubt one of 2009’s most entertaining films. --Sam Graham

You can’t keep a good man down. Jason Statham is back as Chev Chelios â€" this time to retrieve his stolen heart (that’s right, he’s running on battery power). High-octane and truly electrifying!The critics have not been very! kind to Crank: High Voltage. But what do they know? He! re’s w hat this movie has going for it: gratuitous nudity, mindless violence, constant profanity, and a ridiculous storyline. Add to that stereotypes galore (gay, Asian, Latino, the neuropsychiatrically disabled, you name it), strippers with guns, a strike by porn actors (with a cameo appearance by Ron Jeremy), and a guy who refers to his heart as a "strawberry tart," and one can only wonder what’s not to like. In fact, writer-director-producers Mark Neveldine and Brian Taylor’s sequel to 2006’s Crank is an absolute hoot, a non-stop assault of crazy sights and sounds that will leave you breathless and laughing. As the action starts, Jason Statham’s Chev Chelios has not only survived the fall from a helicopter that ended the earlier film, but is now on the operating table, awake and watching as some Chinese villains harvest his "tart" in order to implant it in their aging leader (a wacky turn by David Carradine). Chev quickly dispatches the bad guys, but the fu! n’s just starting; the mechanical ticker they’ve put inside him needs constant recharging, so as Chev pursues the real organ, he must use whatever’s available (jumper cables, a police taser, a car cigarette lighter, high voltage power lines) to keep the fake one going. Storywise, that’s about it. But it’s plenty, as the filmmakers’ ultra-kinetic style--with its manic edits, cartoony subtitles, and other envelope-stretching effects--and amusing performances by Amy Smart (as Chev’s girlfriend), Dwight Yoakam (as a "doctor" who helps him figure out what’s happening), and others keep things going. No, Crank: High Voltage ain’t exactly Masterpiece Theater, but this is without a doubt one of 2009’s most entertaining films. --Sam GrahamYou can’t keep a good man down. Jason Statham is back as Chev Chelios â€" this time to retrieve his stolen heart (that’s right, he’s running on battery power). High-octane and truly electrifying!

The critics have not been very kind to Crank: High Voltage. But what do they know? Here’s what this movie has going for it: gratuitous! nudity, mindless violence, constant profanity, and a ridiculous storyline. Add to that stereotypes galore (gay, Asian, Latino, the neuropsychiatrically disabled, you name it), strippers with guns, a strike by porn actors (with a cameo appearance by Ron Jeremy), and a guy who refers to his heart as a "strawberry tart," and one can only wonder what’s not to like. In fact, writer-director-producers Mark Neveldine and Brian Taylor’s sequel to 2006’s Crank is an absolute hoot, a non-stop assault of crazy sights and sounds that will leave you breathless and laughing. As the action starts, Jason Statham’s Chev Chelios has not only survived the fall from a helicopter that ended the earlier film, but is now on the operating table, awake and watching as some Chinese villains harvest his "tart" in order to implant it in their aging leader (a wacky turn by David Carradine). Chev quickly dispatches the bad guys, but the fun’s just starting; the mechanical ticker! they’ve put inside him needs constant recharging, so as Che! v pursue s the real organ, he must use whatever’s available (jumper cables, a police taser, a car cigarette lighter, high voltage power lines) to keep the fake one going. Storywise, that’s about it. But it’s plenty, as the filmmakers’ ultra-kinetic style--with its manic edits, cartoony subtitles, and other envelope-stretching effects--and amusing performances by Amy Smart (as Chev’s girlfriend), Dwight Yoakam (as a "doctor" who helps him figure out what’s happening), and others keep things going. No, Crank: High Voltage ain’t exactly Masterpiece Theater, but this is without a doubt one of 2009’s most entertaining films. --Sam GrahamCrank 2: High Voltage Reproduction Poster Print Romanian Style A 11 x 17 Inches -28cm x 44cm

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