Adam Sandler's Eight Crazy Nights

• Actors: Jamie Alcroft, Blake Clark, Norm Crosby, Ellen Albertini Dow, Carmen Filpi
• Format: AC-3, Color, Dolby, Dubbed, DVD, Full Screen, Subtitled, Widescreen, NTSC
• Language: English. Subtitles: English, French.
• Region: Region 1 encoding (US and Canada only)
• Rated PG-13

Once a happy boy, but now the town delinquent, Davey (voiced by Sandler) is given one last chance to redeem himself with his community and discover the true meaning of the holiday season. Voices of Adam Sandler along with Kevin Nealon, Rob Schneider and Jon Lovitz. VHS and DVD features the short film with Adam Sandler’s Dog "A Day with Meatball" and many Adam Sandler songs!Adam Sandler fans will find the animated movie 8 Crazy Nights to be another flowering of Sandler's absurdist goofiness. People who find Sandler completely annoying will be triply annoyed by 8 Crazy Nights,! because Sandler does the voices for three different characters: Davey Stone, a boozing, belching, self-loathing loser who hates the holidays; Whitey, a tiny old man who tries to rehabilitate Davey; and Eleanor, Whitey's neurotic twin sister, who seems not to have left her house in years. Fans will find the slapdash musical numbers and scatological humor hilarious; foes will find them tiresome and banal. But even Sandler's advocates won't care about the by-the-numbers plot of holiday redemption; you see, Davey's parents died on the first night of Hanukkah, and he just needs to cry about it. Sandler's best when he's walking that line between stupid and smart-ass. When he gets sentimental, it's trouble. --Bret FetzerADAM SANDLER'S EIGHT CRAZY NIGHTS - DVD MovieAdam Sandler fans will find the animated movie 8 Crazy Nights to be another flowering of Sandler's absurdist goofiness. People who find Sandler completely annoying will be triply annoyed by ! 8 Crazy Nights, because Sandler does the voices for three! differe nt characters: Davey Stone, a boozing, belching, self-loathing loser who hates the holidays; Whitey, a tiny old man who tries to rehabilitate Davey; and Eleanor, Whitey's neurotic twin sister, who seems not to have left her house in years. Fans will find the slapdash musical numbers and scatological humor hilarious; foes will find them tiresome and banal. But even Sandler's advocates won't care about the by-the-numbers plot of holiday redemption; you see, Davey's parents died on the first night of Hanukkah, and he just needs to cry about it. Sandler's best when he's walking that line between stupid and smart-ass. When he gets sentimental, it's trouble. --Bret FetzerAdam Sandler fans will find the animated movie 8 Crazy Nights to be another flowering of Sandler's absurdist goofiness. People who find Sandler completely annoying will be triply annoyed by 8 Crazy Nights, because Sandler does the voices for three different characters: Davey Stone,! a boozing, belching, self-loathing loser who hates the holidays; Whitey, a tiny old man who tries to rehabilitate Davey; and Eleanor, Whitey's neurotic twin sister, who seems not to have left her house in years. Fans will find the slapdash musical numbers and scatological humor hilarious; foes will find them tiresome and banal. But even Sandler's advocates won't care about the by-the-numbers plot of holiday redemption; you see, Davey's parents died on the first night of Hanukkah, and he just needs to cry about it. Sandler's best when he's walking that line between stupid and smart-ass. When he gets sentimental, it's trouble. --Bret FetzerStudio: Sony Pictures Home Ent Release Date: 05/20/2008 Run time: 76 minutes Rating: Pg13Adam Sandler fans will find the animated movie 8 Crazy Nights to be another flowering of Sandler's absurdist goofiness. People who find Sandler completely annoying will be triply annoyed by 8 Crazy Nights, because Sa! ndler does the voices for three different characters: Davey St! one, a boozing, belching, self-loathing loser who hates the holidays; Whitey, a tiny old man who tries to rehabilitate Davey; and Eleanor, Whitey's neurotic twin sister, who seems not to have left her house in years. Fans will find the slapdash musical numbers and scatological humor hilarious; foes will find them tiresome and banal. But even Sandler's advocates won't care about the by-the-numbers plot of holiday redemption; you see, Davey's parents died on the first night of Hanukkah, and he just needs to cry about it. Sandler's best when he's walking that line between stupid and smart-ass. When he gets sentimental, it's trouble. --Bret Fetzer

Hellboy: Director's Cut [Blu-ray]

• Condition: New
• Format: Blu-ray
• Anamorphic; Color; Dolby; Subtitled; Widescreen

HELLBOY II:GOLDEN ARMY - Blu-Ray MovieThe feverish Hellboy II: The Golden Army is a very busy sequel that might have looked unhinged in the hands of a less visionary director than Guillermo del Toro. Ron Perlman returns as Hellboy, aka "Red," the Dark Horse Comics demon-hero with roots in the mythical world but personal ties in the human realm. Still working, as he was in Hellboy, for a secret department of the federal government that deals (as in "Men In Black") with forces of the fantastic, Red and his colleagues take on a royal elf (Luke Goss) determined to smash a longtime truce between mankind and the forces of magic. Meanwhile, Red's relationship with girlfriend Liz (Selma Blair), who can burst into flames at will, is going through a rocky stage observed by Red's fishy frie! nd Abe (Doug Jones), himself struck by love in this film. Del Toro brilliantly integrates the ordinary and extraordinary, diving into an extended scene set in a troll market barely hidden behind the façade of typical city streets. He also unleashes a forest monster that devastates an urban neighborhood, but then--interestingly--brings a luminous beauty to the same area as the creature (an "elemental") succumbs to a terrible death. Del Toro's art direction proves masterful, too, in a climactic battle set in a clockworks-like stronghold tucked away in rugged Irish landscape. But it's really the juxtaposition of visual marvels with not-so-unusual relationship issues that gives Hellboy II a certain jaunty appeal hard to find in other superhero movies. --Tom Keogh




Stills from Hellboy II: The Golden Army (Click for larger image)

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The world's greatest paranormal investigator takes on a carnivorous house, space aliens, a vampire luchador, a vengeful lion demon, and more in this collection featuring the work of comic greats Mike Mignola, Richard Corben, Kevin Nowlan, and Scott Hampton!HELLBOY - DVD MovieHellboy is one of the most celebrated comics series in recent years. The ultimate artists' artist and a great storyteller whose work is in turns haunting, hilarious, and spellbinding, Mike Mignola has won numerous awards in the comics industry and beyond. When strangeness threatens to engulf the world, a strange man will come to save it. Sent to investigate a mystery with supernatural overtones, Hellboy discovers the secrets of his own origins, and his link to t! he Nazi occultists who promised Hitler a final solution in the! form of a demonic avatar.From visionary writer/director Guillermo del Toro (director of Blade II, The Devil's Backbone) comes Hellboy, a supernatural action adventure based on Mike Mignola's popular Dark Horse Comics series of the same name. Born in the flames of hell and brought to Earth as an infant to perpetrate evil, Hellboy (Ron Perlman) was rescued from sinister forces by the benevolent Dr. Broom (John Hurt), who raised him to be a hero. In Dr. Broom's secret Bureau of Paranormal Research and Defense, Hellboy creates an unlikely family consisting of the telepathic "Mer-Man" Abe Sapien (Doug Jones) and Liz Sherman (Selma Blair), the woman he loves who can control fire. Hidden from the very society that theyprotect, they stand as the key line of defense against an evil madman who seeks to reclaim Hellboy to the dark side and use his powers to destroy mankind.In the ongoing deluge of comic-book adaptations, Hellboy ranks well above avera! ge. Having turned down an offer to helm Harry Potter and the Prisoner of Azkaban in favor of bringing Hellboy's origin story to the big screen, the gifted Mexican director Guillermo del Toro compensates for the excesses of Blade II with a moodily effective, consistently entertaining action-packed fantasy, beginning in 1944 when the mad monk Rasputin--in cahoots with occult-buff Hitler and his Nazi thugs--opens a transdimensional portal through which a baby demon emerges, capable of destroying the world with his powers. Instead, the aptly named Hellboy is raised by the benevolent Prof. Bloom, founder of the Bureau for Paranormal Research and Defense, whose allied forces enlist the adult Hellboy (Ron Perlman, perfectly cast) to battle evil at every turn. While nursing a melancholy love for the comely firestarter Liz (Selma Blair), Hellboy files his demonic horns ("to fit in," says Bloom) and wreaks havoc on the bad guys. The action is occasionally routine! (the movie suffers when compared to the similar X-Men ! blockbus ters), but del Toro and Perlman have honored Mike Mignola's original Dark Horse comics with a lavish and loyal interpretation, retaining the amusing and sympathetic quirks of character that made the comic-book Hellboy a pop-culture original. He's red as a lobster, puffs stogies like Groucho Marx, and fights the good fight with a kind but troubled heart. What's not to like? --Jeff Shannon

Alien Anthology [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Box set; Dolby; DTS Surround Sound; Dubbed; Subtitled; Widescreen

A group of scientists has cloned Lt. Ellen Ripley, along with the alien queen inside her, hoping to breed the ultimate weapon. But the resurrected Ripley is full of surprises for her "creators," as are the aliens they've imprisoned. And soon, a lot more than "all hell" breaks loose. To combat the creatures, Ripley must team up with a band of smugglers, including a mechanic named Call (Ryder), who holds more than a few surprises of her own.Perhaps these films are like the Star Trek movies: The even-numbered episodes are the best ones. Certainly this film (directed by French stylist Jean-Pierre Jeunet) is an improvement over Alien 3, with a script that breathes exciting new life into the franchise. This chapter is set even further in the future, where scientists! on a space colony have cloned both the alien and Ripley (Sigourney Weaver), who died in Alien 3; in doing so, however, they've mixed alien DNA with Ripley's human chromosomes, which gives Ripley surprising power (and a bad attitude). A band of smugglers comes aboard only to discover the new race of aliens--and when the multi-mouthed melonheads get loose, no place is safe. But, on the plus side, they have Ripley as a guide to help them get out. Winona Ryder is on hand as the smugglers' most unlikely crew member (with a secret of her own), but this one is Sigourney's all the way. --Marshall FineA group of scientists has cloned Lt. Ellen Ripley, along with the alien queen inside her, hoping to breed the ultimate weapon. But the resurrected Ripley is full of surprises for her "creators," as are the aliens they've imprisoned. And soon, a lot more than "all hell" breaks loose. To combat the creatures, Ripley must team up with a band of smugglers, including a mech! anic named Call (Ryder), who holds more than a few surprises o! f her ow n.Perhaps these films are like the Star Trek movies: The even-numbered episodes are the best ones. Certainly this film (directed by French stylist Jean-Pierre Jeunet) is an improvement over Alien 3, with a script that breathes exciting new life into the franchise. This chapter is set even further in the future, where scientists on a space colony have cloned both the alien and Ripley (Sigourney Weaver), who died in Alien 3; in doing so, however, they've mixed alien DNA with Ripley's human chromosomes, which gives Ripley surprising power (and a bad attitude). A band of smugglers comes aboard only to discover the new race of aliens--and when the multi-mouthed melonheads get loose, no place is safe. But, on the plus side, they have Ripley as a guide to help them get out. Winona Ryder is on hand as the smugglers' most unlikely crew member (with a secret of her own), but this one is Sigourney's all the way. --Marshall FineStudio: Tcfhe Release Date! : 05/10/2011 Run time: 109 minutes Rating: RPerhaps these films are like the Star Trek movies: The even-numbered episodes are the best ones. Certainly this film (directed by French stylist Jean-Pierre Jeunet) is an improvement over Alien 3, with a script that breathes exciting new life into the franchise. This chapter is set even further in the future, where scientists on a space colony have cloned both the alien and Ripley (Sigourney Weaver), who died in Alien 3; in doing so, however, they've mixed alien DNA with Ripley's human chromosomes, which gives Ripley surprising power (and a bad attitude). A band of smugglers comes aboard only to discover the new race of aliens--and when the multi-mouthed melonheads get loose, no place is safe. But, on the plus side, they have Ripley as a guide to help them get out. Winona Ryder is on hand as the smugglers' most unlikely crew member (with a secret of her own), but this one is Sigourney's all the way. -! -Marshall FineAlien
The te! rror beg ins when the crew of a spaceship investigates a transmission from a desolate planet, and discovers a life form that is perfectly evolved to annihilate mankind. One by one, each crew member is slain until only Ripley is left, leading to an explosive conclusion that sets the stage for its stunning sequel, "Aliens."

Aliens
In this action-packed sequel to Alien, Sigourney Weaver returns as Ripley, the only survivor from mankind's first encounter with the monstrous Alien. Her account of the Alien and the fate of her crew are received with skepticism - until the mysterious disappearance of colonists on LV-426 leads her to join a team of high-tech colonial marines sent in to investigate.

Alien 3
Lt. Ripley (Sigourney Weaver) is the lone survivor when her crippled spaceship crash lands on Fiorina 161, a bleak wasteland inhabited by former inmates of the planet's maximum security priso! n. Ripley's fears that an Alien was aboard her craft are confirmed when the mutilated bodies of ex-cons begin to mount. Without weapons or modern technology of any kind, Ripley must lead the men into battle against the terrifying creature. And soon she discovers a horrifying fact about her link with the Alien, a realization that may compel Ripley to try destroying not only the horrific creature but herself as well.

Alien Resurrection
A group of scientists has cloned Lt. Ellen Ripley, along with the alien queen inside her, hoping to breed the ultimate weapon. But the resurrected Ripley is full of surprises for her "creators," as are the aliens they've imprisoned. And soon, a lot more than "all hell" breaks loose. To combat the creatures, Ripley must team up with a band of smugglers, including a mechanic named Call (Ryder), who holds more than a few surprises of her own.The Alien Quadrilogy is a nine-disc boxed set devoted ! to the four Alien films. Although previously available ! on DVD a s the Alien Legacy, here they have been repackaged with vastly more extras and with upgraded sound and picture. For anyone who hasn't been in hypersleep for the last 25 years, this series needs no introduction, though for the first time each film now comes in both original and "special edition" form.

Alien (1979) was so perfect it didn't need fixing, and Ridley Scott's 2003 director's cut is fiddling for the sake of fiddling. Watch it once, then return to the majestic, perfectly paced original. Conversely, the special edition of James Cameron's Aliens (1986) is the definitive version, though it's nice to finally have the theatrical cut on DVD for comparison. Most interesting is the alternative Alien 3 (1992). This isn't a "director's cut"--David Fincher refused to have any involvement with this release--but a 1991 work-print that runs 29 minutes longer than the theatrical version, and has now been restored, remastered, and finished off with (u! nfortunately) cheap new CGI. Still, it's truly fascinating, offering a different insight into a flawed masterpiece. The expanded opening is visually breathtaking, the central firestorm is much longer, and a subplot involving Paul McGann's character adds considerable depth to story. The ending is also subtly but significantly different. Alien: Resurrection (1997) always was a mess with a handful of brilliant scenes, and the special edition just makes it eight minutes longer.

The Alien Quadrilogy offers the first and fourth films with DTS soundtracks, the others having still fine Dolby Digital 5.1 presentation. All four films sound fantastic, with much low-level detail revealed for the first time. Each is anamorphically enhanced at the correct original aspect ratio, and the prints and transfers are superlative. Every film offers a commentary track that lends insight into the creative process--though the Scott-only commentary and isolated music score from the! first Alien DVD release are missing here.

Each mov! ie is co mplemented by a separate disc packed with hours of seriously detailed documentaries (all presented in full-screen with clips letterboxed), thousands of photos, production stills, and storyboards, giving a level of inside information for the dedicated buff only surpassed by the Lord of the Rings extended DVD sets. A ninth DVD compiles miscellaneous material, including an hourlong documentary and even all the extras from the old Alien laserdisc. "Exhaustive" hardly beings to describe the Alien Quadrilogy, a set that establishes the new DVD benchmark for retrospective releases and looks unlikely to be surpassed for some time. --Gary S. DalkinBrace yourself for a whole new breed of Blu-ray: Four powerful films...eight thrilling versions...in dazzling, terrifying, high-def clarity with the purest digital sound on the planet. Two bonus dics and over 65 hours of archival and never-before-seen content, including the totally immersive MU-TH-UR mode feature! , makes this definitive Alien collection!Review of Alien
A landmark of science fiction and horror, Alien arrived in 1979 between Star Wars and The Empire Strikes Back as a stylishly malevolent alternative to George Lucas's space fantasy. Partially inspired by 1958's It! The Terror from Beyond Space, this instant classic set a tone of its own, offering richly detailed sets, ominous atmosphere, relentless suspense, and a flawless ensemble cast as the crew of the space freighter Nostromo, who fall prey to a vicious creature (designed by Swiss artist H.R. Giger) that had gestated inside one of the ill-fated crew members. In a star-making role, Sigourney Weaver excels as sole survivor Ripley, becoming the screen's most popular heroine in a lucrative movie franchise. To measure the film's success, one need only recall the many images that have been burned into our collective psyche, including the "facehugger," the "chestburster," and Ripley! 's climactic encounter with the full-grown monster. Impeccably! directe d by Ridley Scott, Alien is one of the cinema's most unforgettable nightmares. --Jeff Shannon

Review of Aliens
Aliens is one of the few cases of a sequel that far surpassed the original. Sigourney Weaver returns as Ripley, who awakens on Earth only to discover that she has been hibernating in space so long that everyone she knows is dead. Then she is talked into traveling (along with a squad of Marines) to a planet under assault by the same aliens that nearly killed her. Once she gets there, she finds a lost little girl who triggers her maternal instincts--and she discovers that the company has once again double-crossed her, in hopes of capturing one of the aliens to study as a military weapon. Directed and written by James Cameron, this is one of the most intensely exciting (not to mention intensely frightening) action films ever, with a large ensemble cast that includes Bill Paxton, Lance Henriksen, Paul Reiser, and Michae! l Biehn. Weaver defined the action woman in this film and walked away with an Oscar nomination for her trouble. --Marshall Fine

Review of Alien 3
The least successful film in this series was directed by stylemaster (and content-underachiever) David Fincher. Ripley, the only survivor of her past mission, awakens on a prison planet in the far corners of the solar system. As she tries to recover, she realizes that not only has an alien gotten loose on the planet, the alien has implanted one of its own within her. As she battles the prison authorities (and is aided by the prisoners) in trying to kill the alien, she must also cope with a distinctly shortened lifespan that awaits her. But the striking imagery makes for muddled action and the script confuses it further. The ending looks startling but it takes a long time--and a not particularly satisfying journey--to get there. --Marshall Fine

Review of! Alien Resurrection
Pe! rhaps th ese films are like the Star Trek movies: The even-numbered episodes are the best ones. Certainly this film (directed by French stylist Jean-Pierre Jeunet) is an improvement over Alien 3, with a script that breathes exciting new life into the franchise. This chapter is set even further in the future, where scientists on a space colony have cloned both the alien and Ripley (Sigourney Weaver), who died in Alien 3; in doing so, however, they've mixed alien DNA with Ripley's human chromosomes, which gives Ripley surprising power (and a bad attitude). A band of smugglers comes aboard only to discover the new race of aliens--and when the multi-mouthed melonheads get loose, no place is safe. But, on the plus side, they have Ripley as a guide to help them get out. Winona Ryder is on hand as the smugglers' most unlikely crew member (with a secret of her own), but this one is Sigourney's all the way. --Marshall Fine

Thor (Two-Disc Blu-ray/DVD Combo + Digital Copy)

• Thor Blueray Used Movie

Raised by her father (Eric Bana), an ex-CIA agent, in the wilds of Finland, Hanna's upbringing and training have been one and the same, all geared to making her the perfect assassin. The turning point in her adolescence is a sharp one. Sent into the world by her father on a mission, Hanna journeys stealthily across Europe, eluding agents dispatched after her by a ruthless intelligence operative with secrets of her own (Cate Blanchett). As she nears her ultimate target, Hanna faces startling revelations about her existence.Hanna has the plot of a Hollywood action blockbuster but the style of a European art movie--and this unholy hybrid is fascinating to watch. Hanna (Saoirse Ronan, The Lovely Bones) has been raised by her father (Eric Bana, Munich), an ex-covert agent, for one purpose: to murder the American agent, Marissa Wiegler (Cate Blanchett), ! who murdered Hanna's mother. Hanna thinks she succeeds and escapes, but she's actually being followed by Wiegler, who will go to any lengths to exterminate the girl. Hanna could have been little more than a tween reboot of La Femme Nikita, but in the hands of director Joe Wright (Atonement, Pride & Prejudice) the movie spends as much time on Hanna's budding relationship with a girl on holiday in Morocco as it does on Hanna's capacity to kill. Even the action scenes have atypical rhythms (and one violent sequence occurs in a long, sustained shot that will make film geeks squeal with glee). Hanna is visually sumptuous, emotionally delicate, and completely unlike any other action flick you'll see. The ending goes flat as disappointingly banal plot mechanics take hold, but up until then, Hanna combines genuine thrills, unexpected complexity of character, and an unusual electronica soundtrack into an enthralling film. --Bret FetzerRaised by her father (Eric Bana), an ex-CIA agent, in the wil! ds of Fi nland, Hanna's upbringing and training have been one and the same, all geared to making her the perfect assassin. The turning point in her adolescence is a sharp one. Sent into the world by her father on a mission, Hanna journeys stealthily across Europe, eluding agents dispatched after her by a ruthless intelligence operative with secrets of her own (Cate Blanchett). As she nears her ultimate target, Hanna faces startling revelations about her existence.Hanna has the plot of a Hollywood action blockbuster but the style of a European art movie--and this unholy hybrid is fascinating to watch. Hanna (Saoirse Ronan, The Lovely Bones) has been raised by her father (Eric Bana, Munich), an ex-covert agent, for one purpose: to murder the American agent, Marissa Wiegler (Cate Blanchett), who murdered Hanna's mother. Hanna thinks she succeeds and escapes, but she's actually being followed by Wiegler, who will go to any lengths to exterminate the girl. Hanna could have been little more than a tween reboot of La Femme Nikita, but in the hands of director Joe Wright (Atonement, Pride & Prejudice) the movie spends as much time on Hanna's budding relationship with a girl on holiday in Morocco as it does on Hanna's capacity to kill. Even the action scenes have atypical rhythms (and one violent sequence occurs in a long, sustained shot that will make film geeks squeal with glee). Hanna is visually sumptuous, emotionally delicate, and completely unlike any other action flick you'll see. The ending goes flat as disappointingly banal plot mechanics take hold, but up until then, Hanna combines genuine thrills, unexpected complexity of character, and an unusual electronica soundtrack into an enthralling film. --Bret FetzerX-Men: First Class is the thrilling, eye-opening chapter you’ve been waiting for...Witness the beginning of the X-Men Universe. Before Charles Xavier and Erik Lensherr took t! he names Professor X and Magneto, they were two young men disc! overing their superhuman powers for the first time, working together in a desperate attempt to stop the Hellfire Club and a global nuclear war.When Bryan Singer brought Marvel's X-Men to the big screen, Magneto and Professor X were elder statesmen, but Matthew Vaughn (Kick-Ass) travels back in time to present an origin story--and an alternate version of history. While Charles Xavier (Laurence Belcher) grows up privileged in New York, Erik Lehnsherr (Bill Milner) grows up underprivileged in Poland. As children, the mind-reading Charles finds a friend in the shape-shifting Raven (Jennifer Lawrence) and Erik finds an enemy in Sebastian Shaw (Kevin Bacon), an energy-absorbing Nazi scientist who treats the metal-bending lad like a lab rat. By 1962, Charles (James McAvoy) has become a swaggering genetics professor and Erik (Michael Fassbender, McAvoy's Band of Brothers costar) has become a brooding agent of revenge. CIA agent Moira (Rose Byrne) brings the two together! to work for Division X. With the help of MIB (Oliver Platt) and Hank (A Single Man's Nicholas Hoult), they seek out other mutants, while fending off Shaw and Emma Frost (Mad Men's January Jones), who try to recruit them for more nefarious ends, leading to a showdown in Cuba between the United States and the Soviet Union, the good and bad mutants, and Charles and Erik, whose goals have begun to diverge. Throughout, Vaughn crisscrosses the globe, piles on the visual effects, and juices the action with a rousing score, but it's the actors who make the biggest impression as McAvoy and Fassbender prove themselves worthy successors to Patrick Stewart and Ian McKellen. The movie comes alive whenever they take center stage, and dies a little when they don't. For the most part, though, Vaughn does right by playing up the James Bond parallels and acknowledging the debt to producer Bryan Singer through a couple of clever cameos. --Kathleen C. FennessyX-Men: First! Class is the thrilling, eye-opening chapter you’ve been wai! ting for ...Witness the beginning of the X-Men Universe. Before Charles Xavier and Erik Lensherr took the names Professor X and Magneto, they were two young men discovering their superhuman powers for the first time, working together in a desperate attempt to stop the Hellfire Club and a global nuclear war.When Bryan Singer brought Marvel's X-Men to the big screen, Magneto and Professor X were elder statesmen, but Matthew Vaughn (Kick-Ass) travels back in time to present an origin story--and an alternate version of history. While Charles Xavier (Laurence Belcher) grows up privileged in New York, Erik Lehnsherr (Bill Milner) grows up underprivileged in Poland. As children, the mind-reading Charles finds a friend in the shape-shifting Raven (Jennifer Lawrence) and Erik finds an enemy in Sebastian Shaw (Kevin Bacon), an energy-absorbing Nazi scientist who treats the metal-bending lad like a lab rat. By 1962, Charles (James McAvoy) has become a swaggering genetics professor! and Erik (Michael Fassbender, McAvoy's Band of Brothers costar) has become a brooding agent of revenge. CIA agent Moira (Rose Byrne) brings the two together to work for Division X. With the help of MIB (Oliver Platt) and Hank (A Single Man's Nicholas Hoult), they seek out other mutants, while fending off Shaw and Emma Frost (Mad Men's January Jones), who try to recruit them for more nefarious ends, leading to a showdown in Cuba between the United States and the Soviet Union, the good and bad mutants, and Charles and Erik, whose goals have begun to diverge. Throughout, Vaughn crisscrosses the globe, piles on the visual effects, and juices the action with a rousing score, but it's the actors who make the biggest impression as McAvoy and Fassbender prove themselves worthy successors to Patrick Stewart and Ian McKellen. The movie comes alive whenever they take center stage, and dies a little when they don't. For the most part, though, Vaughn does right by ! playing up the James Bond parallels and acknowledging the debt! to prod ucer Bryan Singer through a couple of clever cameos. --Kathleen C. FennessyThe epic adventure Thor spans the Marvel universe from present-day Earth to the cosmic realm of Asgard. At the center of the story is The Mighty Thor, a powerful but arrogant warrior whose reckless actions reignite an ancient war. As a result, Thor is banished to Earth where he is forced to live among humans. When the most dangerous villain of his world sends its darkest forces to invade Earth, Thor learns what it takes to be a true hero.Of all the folks in long underwear to be tapped for superhero films, Thor would seem to be the most problematic to properly pull off. (Hypothetical Hollywood conversation: "A guy in a tricked-out, easily merchandisable metal suit? Great! An Asgardian God of Thunder who says stuff like thee and thou? Um, is Moon Knight available?") Thankfully, the resulting film does its source material rather proud, via a committed cast and an approach th! at doesn't shy away from the over-the-top superheroics. When you're dealing with a flying guy wielding a huge hammer, gritty realism can be overrated, really. Blending elements from the celebrated comic arcs by Walter Simonson and J. Michael Straczynski, the story follows the headstrong Thunder God (Chris Hemsworth) as he is banished to Earth and stripped of his powers by his father Odin (Anthony Hopkins) after inadvertently starting a war with a planet of ticked-off Frost Giants. As his traitorous brother Loki (the terrific Tom Hiddleston) schemes in the wings, Thor must redeem himself and save the universe, with the aid of a beautiful scientist (Natalie Portman). Although director Kenneth Branagh certainly doesn't skimp on the in-jokes and fan-pleasing continuity references (be prepared to stick around after the credits, Marvel fans), his film distinguishes itself by adopting a larger-than-life cosmic Shakespearean air that sets itself apart from both the cerebral, ground! ed style made fashionable by The Dark Knight and the lo! ose-limb ed Rat Packish vibe of the Iron Man series. Glorying in the absolute unreality of its premise, Branagh's film is a swooping, Jack Kirby-inspired saga that brings the big-budget grins on a consistent basis, as well as tying in with the superhero battle royale The Avengers. --Andrew Wright

The Family That Preys - Tyler Perry - New Movie Poster

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• Great Collectible
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FAMILY THAT PREYS - DVD MovieAcademy Award®-winner Kathy Bates (Lead Actress, Misery, 1990) and Academy Award®-nominee Alfre Woodard (Supporting Actress, Cross Creek, 1983) star as the matriarchs of two very different families being torn apart by greed and scandal in the contemporary drama Tyler Perry's The Family That Preys. The sixth feature film by Perry chronicles the inner workings of two familiesâ€"one upper-crust and the other working classâ€"that become inextricably linked by scandal. Wealthy socialite Charlotte Cartwright (Kathy Bates) and her dear friend Alice Pratt (Alfre Woodard), a working class woman of high ideals, have enjoyed a lasting friendship throughout many years. Suddenly, their lives become mired in turmoil as their adult children’s extramarit! al affairs, unethical business practices and a dark paternity secret threaten to derail family fortunes and unravel the lives of all involved. Alice’s self-centered newlywed daughter Andrea (Sanaa Lathan) is betraying her trusting husband Chris (Rockmond Dunbar) by engaging in a torrid affair with her boss and mother’s best friend’s son William (Cole Hauser). While cheating on his wife Jillian (KaDee Strickland) with a string of ongoing dalliances with his mistress Andrea, William’s true focus is to replace the COO of his mother’s lucrative construction corporation. Meanwhile, Alice’s other daughter Pam (Taraji P. Henson), a kind but no nonsense woman married to a hard working construction worker (Tyler Perry), tries to steer the family in a more positive direction. While paternity secrets, marital infidelity, greed and unsavory business dealings threaten to derail both families, Charlotte and Alice decide to take a breather from it all by making a cross-co! untry road trip in which they rediscover themselves and possib! ly find a way to save their families from ruin in Tyler Perry's The Family That Preys.

Beyond Tyler Perry's The Family That Preys on DVD

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FAMILY THAT PREYS - DVD MovieAcademy Award®-winner Kathy Bates (Lead Actress, Misery, 1990) and Academy Award®-nominee Alfre Woodard (Supporting Actress, Cross Creek, 1983) star as the matriarchs of two very different families being torn apart by greed and scandal in the contemporary drama Tyler Perry's The Family That Preys. The sixth feature film by Perry chronicles the inner workings of two familiesâ€"one upper-crust and the other working classâ€"that become inextricably linked by scandal. Wealthy socialite Charlotte Cartwright (Kathy Bates) and her dear friend Alice Pratt (Alfre Woodard), a working class woman of high ideals, have enjoyed a lasting friendship throughout many years. Suddenly, their lives become mired in turmoil as their adult children’s extramarital affairs, unethical business practices and a dark paternity secret threaten to derail family fortunes and unravel the lives of all invo! lved. Alice’s self-centered newlywed daughter Andrea (Sanaa Lathan) is betraying her trusting husband Chris (Rockmond Dunbar) by engaging in a torrid affair with her boss and mother’s best friend’s son William (Cole Hauser). While cheating on his wife Jillian (KaDee Strickland) with a string of ongoing dalliances with his mistress Andrea, William’s true focus is to replace the COO of his mother’s lucrative construction corporation. Meanwhile, Alice’s other daughter Pam (Taraji P. Henson), a kind but no nonsense woman married to a hard working construction worker (Tyler Perry), tries to steer the family in a more positive direction. While paternity secrets, marital infidelity, greed and unsavory business dealings threaten to derail both families, Charlotte and Alice decide to take a breather from it all by making a cross-country road trip in which they rediscover themselves and possibly find a way to save their families from ruin in Tyler Perry's The Fami! ly That Preys.

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Tyler Perry's Meet the Browns on DVD

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Tyler Perry's Daddy's Little Girls on DVD

Working-class Alice (A! cademy Award® nominee Alfre Woodard) and wealthy Charlotte (A! cademy A ward® winner Kathy Bates) are friends and mothers who have supported each other through all that their families have gone through over the years. But now their families are embroiled in new turmoil â€" with each other. Can the two women save their children from the dark secrets and dirty deeds that threaten to destroy them all?Academy Award®-winner Kathy Bates (Lead Actress, Misery, 1990) and Academy Award®-nominee Alfre Woodard (Supporting Actress, Cross Creek, 1983) star as the matriarchs of two very different families being torn apart by greed and scandal in the contemporary drama Tyler Perry's The Family That Preys. The sixth feature film by Perry chronicles the inner workings of two familiesâ€"one upper-crust and the other working classâ€"that become inextricably linked by scandal. Wealthy socialite Charlotte Cartwright (Kathy Bates) and her dear friend Alice Pratt (Alfre Woodard), a working class woman of high ideals, have enjoyed a lasting ! friendship throughout many years. Suddenly, their lives become mired in turmoil as their adult children’s extramarital affairs, unethical business practices and a dark paternity secret threaten to derail family fortunes and unravel the lives of all involved. Alice’s self-centered newlywed daughter Andrea (Sanaa Lathan) is betraying her trusting husband Chris (Rockmond Dunbar) by engaging in a torrid affair with her boss and mother’s best friend’s son William (Cole Hauser). While cheating on his wife Jillian (KaDee Strickland) with a string of ongoing dalliances with his mistress Andrea, William’s true focus is to replace the COO of his mother’s lucrative construction corporation. Meanwhile, Alice’s other daughter Pam (Taraji P. Henson), a kind but no nonsense woman married to a hard working construction worker (Tyler Perry), tries to steer the family in a more positive direction. While paternity secrets, marital infidelity, greed and unsavory business de! alings threaten to derail both families, Charlotte and Alice d! ecide to take a breather from it all by making a cross-country road trip in which they rediscover themselves and possibly find a way to save their families from ruin in Tyler Perry's The Family That Preys.

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Tyler Perry's Meet the Browns on DVD

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Tyler Perry's Daddy's Little Girls on DVD

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