Wednesday, November 23, 2011

L.A. Confidential (Two-Disc Special Edition)

  • L.A. Confidential is "tough, gorgeous and vastly entertaining" (James Maslin, The New York Times) and won 1997 Academy Awards for Best Supporting Actress (Kim Basinger) and Best Adapted Screenplay (Brian Helgeland & Curtis Hanson). Three cops, a call girl, a mysterious millionaire, a tabloid journalist fuel a labyrinthine plot rife with mystery, ambition, romance and humor. Format: DVD MOVI
Landmark movie in the film noir tradition, Roman Polanski's Chinatown stands as a true screen classic. Jack Nicholson is private eye Jake Gittes, living off the murky moral climate of sunbaked, pre-war Southern California. Hired by a beautiful socialite (Faye Dunaway) to investigate her husband's extra-marital affair, Gittes is swept into a maelstrom of double dealings and deadly deceits, uncovering a web of personal and political scandals that come crashing together for one, unforgettable night in...Chin! atown. Co-starring film legend John Huston and featuring an Academy Award®-winning script by Robert Towne, Chinatown captures a lost era in a masterfully woven movie that remains a timeless gem.Roman Polanski's brooding film noir exposes the darkest side of the land of sunshine, the Los Angeles of the 1930s, where power is the only currency--and the only real thing worth buying. Jack Nicholson is J.J. Gittes, a private eye in the Chandler mold, who during a routine straying-spouse investigation finds himself drawn deeper and deeper into a jigsaw puzzle of clues and corruption. The glamorous Evelyn Mulwray (a dazzling Faye Dunaway) and her titanic father, Noah Cross (John Huston), are at the black-hole center of this tale of treachery, incest, and political bribery. The crackling, hard-bitten script by Robert Towne won a well-deserved Oscar, and the muted color cinematography makes the goings-on seem both bleak and impossibly vibrant. Polanski himself has a brief, memorabl! e cameo as the thug who tangles with Nicholson's nose. One of ! the grea test, most completely satisfying crime films of all time. --Anne HurleyRoman Polanski's brooding film noir exposes the darkest side of the land of sunshine, the Los Angeles of the 1930s, where power is the only currency--and the only real thing worth buying. Jack Nicholson is J.J. Gittes, a private eye in the Chandler mold, who during a routine straying-spouse investigation finds himself drawn deeper and deeper into a jigsaw puzzle of clues and corruption. The glamorous Evelyn Mulwray (a dazzling Faye Dunaway) and her titanic father, Noah Cross (John Huston), are at the black-hole center of this tale of treachery, incest, and political bribery. The crackling, hard-bitten script by Robert Towne won a well-deserved Oscar, and the muted color cinematography makes the goings-on seem both bleak and impossibly vibrant. Polanski himself has a brief, memorable cameo as the thug who tangles with Nicholson's nose. One of the greatest, most completely satisfying crime films of a! ll time. --Anne HurleyLandmark movie in the film noir tradition, Roman Polanski's Chinatown stands as a true screen classic. Jack Nicholson is private eye Jake Gittes, living off the murky moral climate of sunbaked, pre-war Southern California. Hired by a beautiful socialite (Faye Dunaway) to investigate her husband's extra-marital affair, Gittes is swept into a maelstrom of double dealings and deadly deceits, uncovering a web of personal and political scandals that come crashing together for one, unforgettable night in...Chinatown. Co-starring film legend John Huston and featuring an Academy Award®-winning script by Robert Towne, Chinatown captures a lost era in a masterfully woven movie that remains a timeless gem.Roman Polanski's brooding film noir exposes the darkest side of the land of sunshine, the Los Angeles of the 1930s, where power is the only currency--and the only real thing worth buying. Jack Nicholson is J.J. Gittes, a private eye in ! the Chandler mold, who during a routine straying-spouse invest! igation finds himself drawn deeper and deeper into a jigsaw puzzle of clues and corruption. The glamorous Evelyn Mulwray (a dazzling Faye Dunaway) and her titanic father, Noah Cross (John Huston), are at the black-hole center of this tale of treachery, incest, and political bribery. The crackling, hard-bitten script by Robert Towne won a well-deserved Oscar, and the muted color cinematography makes the goings-on seem both bleak and impossibly vibrant. Polanski himself has a brief, memorable cameo as the thug who tangles with Nicholson's nose. One of the greatest, most completely satisfying crime films of all time. --Anne HurleyRoman Polanski's brooding film noir exposes the darkest side of the land of sunshine, the Los Angeles of the 1930s, where power is the only currency--and the only real thing worth buying. Jack Nicholson is J.J. Gittes, a private eye in the Chandler mold, who during a routine straying-spouse investigation finds himself drawn deeper and deeper into a jigs! aw puzzle of clues and corruption. The glamorous Evelyn Mulwray (a dazzling Faye Dunaway) and her titanic father, Noah Cross (John Huston), are at the black-hole center of this tale of treachery, incest, and political bribery. The crackling, hard-bitten script by Robert Towne won a well-deserved Oscar, and the muted color cinematography makes the goings-on seem both bleak and impossibly vibrant. Polanski himself has a brief, memorable cameo as the thug who tangles with Nicholson's nose. One of the greatest, most completely satisfying crime films of all time. --Anne HurleyJack Nicholson returns as private eye Jake Gittes in this atmospheric Chinatown follow-up that's hit upon "the elusive sequel formula for somehow enhancing a great original" (Mike Clark, USA Today).Much has changed since we last saw Jake. The war has come and gone; 1948 Los Angeles teems with optimism and fast bucks. But there's one thing Jake knows hasn't changed: "Nine times out of ten, if you foll! ow the money you will get to the truth." And that's the trail ! he follo ws when a routine case of marital hanky panky explodes into a murder that's tied to a grab for oil--and to Jake's own past.Set more than a decade after the story in Chinatown, this 1990 sequel brings Jack Nicholson back to the screen as L.A. private detective Jake Gittes. Older, fatter, worn, and frustrated, the Jake of 1948 is still haunted by the tragic events of the earlier film. While investigating a case involving adultery and questionable land dealings by an L.A. tycoon (Harvey Keitel as the other Jake), Gittes unexpectedly confronts a few old ghosts and discovers that the resource of choice in Southern California--one for which people die--is no longer water but oil. The film had a notorious production history, with Nicholson taking over the project from writer-director Robert Towne, and the dense plot can be difficult to follow. But if The Two Jakes doesn't measure up to the legendary status of its stylish predecessor, the film does satisfy o! n its own terms and brings the events of Chinatown to a moving conclusion. Terrific work by Keitel and supporting players Meg Tilly, Madeleine Stowe, Eli Wallach, and Ruben Blades. --Tom KeoghRoman Polanski's brooding film noir exposes the darkest side of the land of sunshine, the Los Angeles of the 1930s, where power is the only currency--and the only real thing worth buying. Jack Nicholson is J.J. Gittes, a private eye in the Chandler mold, who during a routine straying-spouse investigation finds himself drawn deeper and deeper into a jigsaw puzzle of clues and corruption. The glamorous Evelyn Mulwray (a dazzling Faye Dunaway) and her titanic father, Noah Cross (John Huston), are at the black-hole center of this tale of treachery, incest, and political bribery. The crackling, hard-bitten script by Robert Towne won a well-deserved Oscar, and the muted color cinematography makes the goings-on seem both bleak and impossibly vibrant. Polanski himself has a bri! ef, memorable cameo as the thug who tangles with Nicholson's n! ose. One of the greatest, most completely satisfying crime films of all time. --Anne HurleyLA CONFIDENTIAL:SPECIAL EDITION - DVD MovieIn a time when it seems that every other movie makes some claim to being a film noir, L.A. Confidential is the real thing--a gritty, sordid tale of sex, scandal, betrayal, and corruption of all sorts (police, political, press--and, of course, very personal) in 1940s Hollywood. The Oscar-winning screenplay is actually based on several titles in James Ellroy's series of chronological thriller novels (including the title volume, The Big Nowhere, and White Jazz)--a compelling blend of L.A. history and pulp fiction that has earned it comparisons to the greatest of all Technicolor noir films, Chinatown. Kim Basinger richly deserved her Supporting Actress Oscar for her portrayal of a conflicted femme fatale; unfortunately, her male costars are so uniformly fine that they may have canceled each other out with the Academy vot! ers: Russell Crowe, Guy Pearce, Kevin Spacey, and James Cromwell play LAPD officers of varying stripes. Pearce's character is a particularly intriguing study in Hollywood amorality and ambition, a strait-laced "hero" (and son of a departmental legend) whose career goals outweigh all other moral, ethical, and legal considerations. If he's a good guy, it's only because he sees it as the quickest route to a promotion. --Jim Emerson

Full Metal Jacket

  • The story of an 18-year-old marine recruit named Private Joker - from his carnage-and-machismo boot camp to his climactic involvement in the heavy fighting in Hue during the 1968 Tet Offensive. Format: DVD MOVIE Genre: DRAMA Rating: R Age: 085391163114 UPC: 085391163114 Manufacturer No: 116311
The story of an 18-year-old marine recruit named Private Joker - from his carnage-and-machismo boot camp to his climactic involvement in the heavy fighting in Hue during the 1968 Tet Offensive.Stanley Kubrick's 1987, penultimate film seemed to a lot of people to be contrived and out of touch with the '80s vogue for such intensely realistic portrayals of the Vietnam War as Platoon and The Deer Hunter. Certainly, Kubrick gave audiences plenty of reason to wonder why he made the film at all: essentially a two-part drama that begins on a Parris Island boot camp for rookie Marines a! nd abruptly switches to Vietnam (actually shot on sound stages and locations near London), Full Metal Jacket comes across as a series of self-contained chapters in a story whose logical and thematic development is oblique at best. Then again, much the same was said about Kubrick's 2001: A Space Odyssey, a masterwork both enthralled with and satiric about the future's role in the unfinished business of human evolution. In a way, Full Metal Jacket is the wholly grim counterpart of 2001. While the latter is a truly 1960s film, both wide-eyed and wary, about the intertwining of progress and isolation (ending in our redemption, finally, by death), Full Metal Jacket is a cynical, Reagan-era view of the 1960s' hunger for experience and consciousness that fulfilled itself in violence. Lee Ermey made film history as the Marine drill instructor whose ritualized debasement of men in the name of tribal uniformity creates its darkest angel in a murdero! us half-wit (Vincent D'Onofrio). Matthew Modine gives a smart ! and savv y performance as Private Joker, the clowning, military journalist who yearns to get away from the propaganda machine and know firsthand the horrific revelation of the front line. In Full Metal Jacket, depravity and fulfillment go hand in hand, and it's no wonder Kubrick kept his steely distance from the material to make the point. --Tom Keogh

Howl's Moving Castle

  • 2-disc special edition features both the original Japanese soundtrack and an English language soundtrack
  • Behind the Microphone featurette with the English language voice cast and footage from the dubbing sessions
  • Interview with Pixar Animation Studios Director, Pete Docter
  • Hayao Miyazaki Visits Pixar Animation Studios with Pixar director John Lasseter
  • Complete storyboards set to the movie soundtrack
In Hayao Miyazaki's latest animated masterpiece, journey beyond imagination and enter a "breathtaking fantasy world" (Kenneth Turan, Los Angeles Times) filled with adventure, humor and heart. Sophie, a quiet girl working in a hat shop, finds her life thrown into turmoil when she is literally swept off her feet by a handsome but mysterious wizard named Howl. The vain and vengeful Witch of the Waste, jealous of their friendship, puts a spell on Sophie. In a life-chang! ing adventure, Sophie climbs aboard Howl's magnificent flying castle and enters a magical world on a quest to break the spell. Featuring the voice talents of Jean Simmons, Christian Bale, Lauren Bacall, Blythe Danner, and Billy Crystal, Miyazaki's artistry comes to life on DVD with inventive characters, unique storytelling and richly detailed animation. (c) 2004 Nibariki • GNDDDTLike a dream, Howl's Moving Castle carries audiences to vistas beyond their imaginations where they experience excitement, adventure, terror, humor, and romance. With domestic box office receipts of over $210 million, Howl passed Miyazaki's Princess Mononoke to become the #3 film in Japanese history, behind his Spirited Away and James Cameron's Titanic. Based on a juvenile novel by Diana Wynne Jones, Howl's Moving Castle marks the first time Miyazaki has adapted another writer's work since Kiki's Delivery Service (1989). Sophie, a 19-year-old g! irl who believes she is plain, has resigned herself to a drab ! life in her family's hat shop--until the Witch of the Waste transforms her into a 90-year-old woman. In her aged guise, Sophie searches for a way to break the Witch's spell and finds unexpected adventures. Like Chihiro, the heroine of Spirited Away, Sophie discovers her hidden potential in a magical environment--the castle of the title. Using CG, Miyazaki creates a ramshackle structure that looks like it might disintegrate at any moment. Sophie's honesty and determination win her some valuable new friends: Markl, Howl's young apprentice; a jaunty scarecrow; Calcifer, a temperamental fire demon; and Heen, a hilarious, wheezing dog. She wins the heart of the dashing, irresponsible wizard Howl, and brings an end an unnecessary and destructive war. The film overflows with eclipsing visuals that range from frightening aerial battles to serene landscapes, and few recent features--animated or live action--offer as much magic as Howl's Moving Castle. --Charles Solomon !

The Many Worlds of Hayao Miyazaki


The works of Miyazaki

The Book

The Art of Howls' Moving Castle (book)

Stills from Howl's Moving Castle (click for larger image)

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The Honeymooners Game

  • Based on the hit TV show "The Honeymooners" starring Jackie Gleason.
  • For 2 to 6 players
  • For ages 10 to adult
This is the ultimate Honeymooners Trivia challenge!Over 400 fun multiple choice questions!Can you answer these:According to Norton, at how many feet per second does the aroma of egg foo yung rise?How long ago did Norton meet Ralph? (10 years ago, 15 years ago, or 150 pounds ago?)Bonus section: Trivial but interesting facts about the cast, characters, and show!Loads of fun for parties. A must-have for any true Honeymooners fan!Ralph Kramden is a New York bus driver who dreams of a better life. With his eccentric good friend, Ed Norton the sewer worker, he constantly tries crackpot schemes to strike it rich. All the while, his exasperated wife, Alice, is always there to bring him down to earth or to pick him up if he beats her to it. For as much as they fight, even dunder! head Ralph knows that she is the greatest and vice versa. Get the bag. As The Honeymooners continues to get bumped from late-night TV schedules across the nation--by laughably unfunny shows such as Friends and Murphy Brown no less--legions of Honeymoonies will need to get their fix in other ways. This set--the Honeymoonie's Holy Grail--contains all 39 episodes from the legendary 1955-1956 season. There's no commentary from some "expert" who compares Ralph to gods from Greek mythology or memories from some assistant producer--it's just the meat, and that's enough to make any fan salivate. This was the only season that The Honeymooners had a life of its own apart from the Jackie Gleason Show, and as much as we tried to welcome the "Lost Episodes" into our family, they very rarely matched the high quality of the classic 39. Rather than sequence them in order, the producers have decided to group them by eight different themes including Ralph'! s jealous nature, his life at the Gotham Bus Company, his frie! ndship w ith Norton, domestic troubles, and financial woes. Sometimes this approach is a bit forced, but it does illustrate why The Honeymooners is the ultimate situation comedy: You can show them out of order. No matter what happens to the Bensonhurst foursome, Ralph will still work for the bus company, Norton in the sewer. They'll be struggling to get by, passing the time bowling, shooting pool, arguing with the wives, and dreaming of a better day. And it's in the mundanity of everyday life that The Honeymooners finds boundless humor. Even when the events were anything but mundane--bank robbers, counterfeiters, TV commercials, game shows, golf dates with The Boss--the real story and the best jokes were about the reality of their lives and the realization that, because of marriage and friendship, they didn't really have it so bad after all. The chemistry between Jackie Gleason and Art Carney still amazes after all these years. Audrey Meadows's Alice is the perfect foil! for Ralph, stern but sympathetic. And Joyce Randolph's Trixie? Well, let's just call her "earnest." Still, for all of Norton's frenetic energy and Alice's wisdom, the show belongs to Ralph Kramden. Somehow, Gleason took a chauvinistic, paranoid, insensitive, scheming, bitter, loudmouth, underachieving bus driver and made him a hero to millions. --Marc GreilsamerThis is the ultimate Honeymooners trivia challenge! Over 350 fun multiple choice questions!

Can you answer these:

According to Norton, at how many feet per second does the aroma of egg foo yung rise?

How long ago did Norton meet Ralph? (10 years ago, 15 years ago, or 150 pounds ago?)

Bonus section: Trivial but interesting facts about the cast, characters, and show!

Loads of fun for parties. A must-have for any true Honeymooners fan!This is the ultimate Honeymooners trivia challenge! Over 350 fun multiple choice questions!

Can you answer these:
According to Norton, at how many feet per second does the a! roma of egg foo yung rise?

How long ago did Norton meet Ralph? (10 years ago, 15 years ago, or 150 pounds ago?)

Bonus section: Trivial but interesting facts about the cast, characters, and show!

Loads of fun for parties. A must-have for any true Honeymooners fan!Bang! Zoom! A hilarious game based on the classic Honeymooners TV show, featuring Ralph Kramden and his zany friends. Become the complete Ralph...and win! Baby it's the greatest!

Blast From the Past

  • BLAST FROM THE PAST (DVD MOVIE)
The Devil's never been so hot or hilarious! Brendan Fraser is a hapless, love-starved computer technician who falls prey to sinfully sexy Elizabeth Hurley when he agress to sell her his soul in exchange for seven wishes. But the sly Princess of Darkness has more than a few tricks up her... sleeve. And before you can say Fire and Brimstone, Elliot's life becomes a hysterical hell on earth.Brendan Fraser stars in Bedazzled as Elliot, a dweebish office worker who yearns for Alison (played by Frances O'Connor from Mansfield Park), a coworker who barely knows he exists. When he blithely says he'd give his soul for Alison, the Devil appears (Elizabeth Hurley, Austin Powers) and says she'll give him seven wishes in exchange. Elliot is dubious at first, but agrees out of desperation. Unfortunately, his every wish always leaves the Devil a ! little wiggle room. When he asks to be rich and powerful, the Devil turns him into a drug lord beset on all sides. When he asks to be a successful, well-endowed writer, the Devil adds a male lover to the mix. The setup and situations are clever, though Bedazzled doesn't delve into any real moral or theological questions and has a little less bite than the original it's based on (from 1968, starring Dudley Moore and Peter Cook). But it does provide some better comic substance than Fraser has had in most of his previous roles (George of the Jungle, Encino Man). Fraser demonstrated in Gods and Monsters that he could hold his own dramatically with the likes of Brit thespian Ian McKellen, and he's consistently been a charming presence in movies enjoyable (The Mummy) and not so enjoyable (Dudley Do Right). Bedazzled may not give him any more movie-making clout, but it does give his fans something to enjoy. O'Connor is e! ntirely pleasant in her largely straight role, and Hurley fil! ls out h er part by delectably filling out a number of revealing outfits. An enjoyable bit of froth. --Bret FetzerStanley (Moore) is a hapless short-order cook who is hopelessly in love with a waitress named Margaret (Eleanor Bron) - although she barely knows he's alive. Enter George Spiggott (Cook), a.k.a. Satan, who grants Stanley seven wishes in order to win Margaret over, but his efforts are hilariously hampered by the Seven Deadly Sins - including the insatiable Lilian Lust (Raquel Welch)!When the Devil (Peter Cook) offers suicidal short-order cook Stanley (Dudley Moore) seven wishes, Stanley easily surrenders his soul. All of his wishes are granted, to the letter. Unfortunately, as each wish comes to life, the Devil--cheeky sod!--manages to slip some unexpected problem into the mix, ruining everything in a deliciously funny way. Bedazzled was made long before 10 and Arthur made Dudley Moore an unlikely movie star. It's a much purer expression of the! off-kilter British humor that Moore and his writing partner Cook pioneered, humor that would lead to Monty Python's Flying Circus and other absurdist goofballs. Moore is charming enough, but what really makes Bedazzled work is Cook, who combines upper-class arrogance with a cheerful, even casual lunacy. Though he played character roles in movies like The Princess Bride and Black Beauty, he was never able to parlay his sneaky sense of humor into starring roles. Bedazzled is his outstanding triumph. Not only does the movie offer some sly commentary on Christian morality, it has a cameo with Raquel Welch as the embodiment of Lust. A classic. --Bret FetzerDisc 1: BEDAZZLED '67 Disc 2: BEDAZZLED '00Brendan Fraser stars in Bedazzled as Elliot, a dweebish office worker who yearns for Alison (played by Frances O'Connor from Mansfield Park), a coworker who barely knows he exists. When he blithely says he'd give his soul for! Alison, the Devil appears (Elizabeth Hurley, Austin Power! s) a nd says she'll give him seven wishes in exchange. Elliot is dubious at first, but agrees out of desperation. Unfortunately, his every wish always leaves the Devil a little wiggle room. When he asks to be rich and powerful, the Devil turns him into a drug lord beset on all sides. When he asks to be a successful, well-endowed writer, the Devil adds a male lover to the mix. The setup and situations are clever, though Bedazzled doesn't delve into any real moral or theological questions and has a little less bite than the original it's based on (from 1968, starring Dudley Moore and Peter Cook). But it does provide some better comic substance than Fraser has had in most of his previous roles (George of the Jungle, Encino Man). Fraser demonstrated in Gods and Monsters that he could hold his own dramatically with the likes of Brit thespian Ian McKellen, and he's consistently been a charming presence in movies enjoyable (The Mummy) and n! ot so enjoyable (Dudley Do Right). Bedazzled may not give him any more movie-making clout, but it does give his fans something to enjoy. O'Connor is entirely pleasant in her largely straight role, and Hurley fills out her part by delectably filling out a number of revealing outfits. An enjoyable bit of froth. --Bret FetzerWhen the Devil (Peter Cook) offers suicidal short-order cook Stanley (Dudley Moore) seven wishes, Stanley easily surrenders his soul. All of his wishes are granted, to the letter. Unfortunately, as each wish comes to life, the Devil--cheeky sod!--manages to slip some unexpected problem into the mix, ruining everything in a deliciously funny way. Bedazzled was made long before 10 and Arthur made Dudley Moore an unlikely movie star. It's a much purer expression of the off-kilter British humor that Moore and his writing partner Cook pioneered, humor that would lead to Monty Python's Flying Circus and other ! absurdist goofballs. Moore is charming enough, but what really! makes < I>Bedazzled work is Cook, who combines upper-class arrogance with a cheerful, even casual lunacy. Though he played character roles in movies like The Princess Bride and Black Beauty, he was never able to parlay his sneaky sense of humor into starring roles. Bedazzled is his outstanding triumph. Not only does the movie offer some sly commentary on Christian morality, it has a cameo with Raquel Welch as the embodiment of Lust. A classic. --Bret FetzerStudio: New Line Home Video Release Date: 11/09/2010Coasting on the successes of Gods and Monsters and George of the Jungle, Brendan Fraser turns in yet another winning performance in this fish-out-of-water comedy in which Pleasantville meets modern-day Los Angeles, with predictably funny results. Fraser stars as Adam, who was born in the bomb shelter of his paranoid inventor dad (a less-manic-than-usual Christopher Walken), who spirited his pregnant wife (Sissy Spacek, in fine comic ! form) underground when he thought the Communists dropped the bomb (actually, it was a plane crash). Armed with enough supplies to last 35 years, the parents bring up Adam in Leave It to Beaver style with nary any exposure to the outside world. When the supplies run out, and dad suffers a heart attack, Fraser goes up to modern-day L.A. for some shopping and long-awaited culture shock. More of a cute premise with lots of clever ideas attached than a fully fleshed out story, Blast from the Past is also supposed to be part romantic comedy, as the hunky Adam hooks up with his jaded Eve (Alicia Silverstone) and tries to convince her to marry him and go underground. The sparks don't fly, though, because Silverstone is saddled with the triple whammy of being miscast, playing an underwritten character, and suffering a very bad hairdo. Fraser, however, carries the film lightly and easily on his broad, goofy shoulders, mixing Adam's gee-whiz innocence with genuine emotio! n and curiosity; only Fraser could pull off Adam's first glimp! se of a sunrise or the ocean with both humor and pathos. Also winning is Dave Foley as Silverstone's gay best friend, who manages to make the most innocuous statements sound like comic gems. --Mark Englehart

A Testament to Freedom: The Essential Writings of Dietrich Bonhoeffer

  • ISBN13: 9780060642143
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

From the New York Times bestselling author of Amazing Grace, a groundbreaking biography of Dietrich Bonhoeffer, one of the greatest heroes of the twentieth century, the man who stood up to Hitler.

A definitive, deeply moving narrative, Bonhoeffer is a story of moral courage in the face of the monstrous evil that was Nazism.

After discovering the fire of true faith in a Harlem church, Bonhoeffer returned to Germany and became one of the first to speak out against Hitler. As a double-agent, he joined the plot to assassinate the Fuhrer, and was hanged in Flossenberg concentration camp at age 39. Since his death, Bonhoeffer has grown to be one of the most fascinati! ng, complex figures of the 20th century.

Bonhoeffer presents a profoundly orthodox Christian theologian whose faith led him to boldly confront the greatest evil of the 20th century, and uncovers never-before-revealed facts, including the story of his passionate romance.

*2011 ECPA Book of the Year

*2011 Canterbury Medal by the Becket Fund recognizing courage in the defense of religious liberty

*2011 Christopher Award winner highlighting the power of faith, courage, and action


Before his arrest by the Nazis in 1943, Dietrich Bonhoeffer was head of a seminary of the German Confessing Church. In The Cost of Discipleship, he focuses on the most treasured part of Christ's teaching, the Sermon on the Mount."When Christ calls a man, he bids him come and die." With these words, in The Cost of Discipleship, Dietrich Bonhoeffer gave powerful voice to the millions of Christians who believe personal sacrifice is an essential co! mponent of faith. Bonhoeffer, a German Lutheran pastor and th! eologian , was an exemplar of sacrificial faith: he opposed the Nazis from the first and was eventually imprisoned in Buchenwald and hung by the Gestapo in 1945. The Cost of Discipleship, first published in German in 1937, was Bonhoeffer's answer to the questions, "What did Jesus mean to say to us? What is his will for us to-day?" Bonhoeffer's answers are rooted in Lutheran grace and derived from Christian scripture (almost a third of the book consists of an extended meditation on the Sermon on the Mount). The book builds to a stunning conclusion: its closing chapter, "The Image of Christ," describes the believer's spiritual life as participation in Christ's incarnation, with a rare and epigrammatic confidence: "Through fellowship and communion with the incarnate Lord," Bonhoeffer writes, "we recover our true humanity, and at the same time we are delivered from that individualism which is the consequence of sin, and retrieve our solidarity with the whole human r! ace." --Michael Joseph Gross "Bonhoeffer is teaching a few Protestants what it means to say 'yes' to the 20th century and still somehow stay recognizablly Protestant. A look at a few of his seminal ideas will make this clear.Letters and Papers from Prison is a collection of notes and correspondence covering the period from Dietrich Bonhoeffer's arrest in 1943 to his execution by the Gestapo in 1945. The book is probably most famous, and most important, for its idea of "religionless Christianity"--an idea Bonhoeffer did not live long enough fully to develop, but whose timeliness only increases as the lines between secular and ecclesial life blur. Bonhoeffer's first mention of "religionless Christianity" came in a letter in 1944:
What is bothering me incessantly is the question what Christianity really is, or indeed who Christ really is, for us today. The time when people could be told everything by means of words, whether theological o! r pious, is over, and so is the time of inwardness and consci! ence--an d that means the time of religion in general. We are moving towards a completely religionless time; people as they are now simply cannot be religious any more. Even those who honestly describe themselves as "religious" do not in the least act up to it, and so they presumably mean something quite different by "religious."
The pleasures of Letters and Papers from Prison, however are not all so profound. Occasionally, Bonhoeffer's letters burst into song--sometimes with actual musical notations, other times with unforgettable phrases. Looking forward to seeing his best friend, Bonhoeffer writes, "To meet again is a God." --Michael Joseph GrossAn illuminating study of prayer using the Psalms as a guidebook.
Shepherd's Notes- Christian Classics Series is designed to give readers a quick, step by step overview of some of the enduring treasures of the Christian faith. They are designed to be used along side the classic itself- either in i! ndividual study or in a study group. The faithful of all generations have found spiritual nourishment in the Scriptures and in the works of Christians of earlier generations. Martin Luther and John Calvin would not have become who they were apart from their reading Augustine. God used the writings of Martin Luther to move John Wesley from a religion of dead works to an experience at Aldersgate in which his "heart was strangely warmed." Shepherd's Notes will give pastors, laypersons, and students access to some of the treasures of Christian faith.

From the New York Times bestselling author of Amazing Grace, a groundbreaking biography of Dietrich Bonhoeffer, one of the greatest heroes of the twentieth century, the man who stood up to Hitler.

A definitive, deeply moving narrative, Bonhoeffer is a story of moral courage in the face of the monstrous evil that was Nazism.

After discovering the fire of true faith in a Harlem church, Bon! hoeffer returned to Germany and became one of the first to spe! ak out a gainst Hitler. As a double-agent, he joined the plot to assassinate the Fuhrer, and was hanged in Flossenberg concentration camp at age 39. Since his death, Bonhoeffer has grown to be one of the most fascinating, complex figures of the 20th century.

Bonhoeffer presents a profoundly orthodox Christian theologian whose faith led him to boldly confront the greatest evil of the 20th century, and uncovers never-before-revealed facts, including the story of his passionate romance.

From the New York Times bestselling author of Amazing Grace, a groundbreaking biography of Dietrich Bonhoeffer, one of the greatest heroes of the twentieth century, the man who stood up to Hitler.

A definitive, deeply moving narrative, Bonhoeffer is a story of moral courage in the face of the monstrous evil that was Nazism.

After discovering the fire of true faith in a Harlem church, Bonhoeffer returned to Germany and became one of the first to spea! k out against Hitler. As a double-agent, he joined the plot to assassinate the Fuhrer, and was hanged in Flossenberg concentration camp at age 39. Since his death, Bonhoeffer has grown to be one of the most fascinating, complex figures of the 20th century.

Bonhoeffer presents a profoundly orthodox Christian theologian whose faith led him to boldly confront the greatest evil of the 20th century, and uncovers never-before-revealed facts, including the story of his passionate romance.

Dietrich Bonhoeffer, one of the most influential Christian martyrs in history, bequeathed to humanity a legacy of theological creativity and spirituality that continues to intrigue people from a variety of backgrounds. Dietrich Bonhoeffer Works, a sixteen volume series, offers a fresh, critical translation of Bonhoeffer's writings, with introductions, annotations, and interpretations. The stimulus for the writing of Life Together was the closing of the preacher's seminary at ! Finkenwalde. The treatise contains Bonhoeffer's thoughts about! the nat ure of Christian community based on the common life that he and his seminarians experienced at the seminary and in the "Brother's House" there. Bonhoeffer completed the writing of Life Together in 1938. Prayerbook of the Bible is a classic of Christian spirituality. In this theological interpretation of the Psalms, Bonhoeffer describes the moods of an individual's relationship with God and also the turns of love and heartbreak, of joy and sorrow, that are themselves the Christian community's path to God.The Christian does not live in a vacuum, says the author, but in a world of government, politics, labor, and marriage. Hence, Christian ethics cannot exist in a vacuum; what the Christian needs, claims Dietrich Bonhoeffer, is concrete instruction in a concrete situation. Although the author died before completing his work, this book is recognized as a major contribution to Christian ethics.

The root and ground of Christian ethics, the author says, is the reality of God! as revealed in Jesus Christ. This reality is not manifest in the Church as distinct from the secular world; such a juxtaposition of two separate spheres, Bonhoeffer insists, is a denial of God's having reconciled the whole world to himself in Christ. On the contrary, God's commandment is to be found and known in the Church, the family, labor, and government. His commandment permits man to live as man before God, in a world God made, with responsibility for the institutions of that world.Dietrich Bonhoeffer was only thirty-nine years old when he was executed in a Nazi concentration camp in 1945, yet his courage, vision, and brilliance have greatly influenced the twentieth-century Church and theology. Particularly through his bestselling classic, The Cost of Discipleship, Bonhoeffer profoundly shaped such minds and movements as Martin Luther King, Jr., and Leonardo Boff, civil rights and leberation theology.

A Testament to Freedom, completely revised and expa! nded for this edition, includes previously untranslated writin! gs, exce rpts from major books, sermons, and selected letters spanning the years of Bonhoeffer's pastoral and theological career. This magnificent volume takes readers on a historical and biographical journey that follows Bonhoeffer through the various stages of his life--as teacher, ecumenist, pastor, preacher, seminary director, prophet in the Nazi era and, finally, as martyr in pursuit of peace and justice.

Holy Man

  • The always hilarious Eddie Murphy stars with Jeff Goldblum and Kelly Preston in a refreshingly funny hit that elevates shopping to a nearly religious experience! A stressed-out senior executive at the Good Buy home shopping channel, Ricky Hayman is praying for a miracle that will lift the network s lousy ratings and save his job. Then, from out of nowhere, G walks into his life! An outrageous, sel
The always hilarious Eddie Murphy (DR. DOLITTLE) stars with Jeff Goldblum (JURASSIC PARK) and Kelly Preston (JERRY MAGUIRE) in a refreshingly funny hit that elevates shopping to a nearly religious experience! A stressed-out senior executive at the Good Buy home shopping channel, Ricky Hayman (Goldblum) is praying for a miracle that will lift the network's lousy ratings and save his job. Then, from out of nowhere, "G" (Murphy) walks into his life! An outrageous, self-styled inspirational guru with a ! knack for showing up where he isn't exactly wanted, "G" proceeds to wander in front of the cameras just long enough to exude the irresistible star quality that will make him the sales-boosting savior Ricky's network has been looking for! Also featuring a host of well-known celebrities in a sidesplitting series of comic infomercials -- you're bound to be another satisfied customer with nothing but praise for HOLY MAN!Holy Man could have been a stellar satire in the tradition of Frank Capra, George Stevens, or Preston Sturges. Instead, this well-meaning romantic comedy was bluntly written by Tom Schulman (Dead Poets Society) and broadly directed by Stephen Herek, who fared better with his 1995 drama Mr. Holland's Opus. Their good intentions shine through, however, and while it's easy to appreciate Eddie Murphy's attempt to shift his career in a more substantial direction, Holy Man delivers some pointed criticism of commercialism and its deadening! effect on spiritual well-being.

Murphy plays an enlighten! ed eccen tric named "G" (for "guru" or "God"?) who rises to national celebrity when he's enlisted to host a TV shopping network. Jeff Goldblum and Kelly Preston play the show's producer and marketer, respectively, and their formulaic romance provides the movie's lackluster subplot. With skyrocketing ratings and a flurry of cameos by celebrity hucksters (Morgan Fairchild, Florence Henderson, Dan Marino, and even James Brown), G delivers preachy platitudes urging America to stop buying and embrace the finer values of life and love (a hollow message coming from Disney, the most conspicuously commercial of all major Hollywood studios). To its credit, Holy Man occasionally achieves a delicate balance of comedy and commentary, and receptive viewers will be grateful, at a time when crude comedies rule the box office, that someone bothered to try. For that reason, this flawed movie deserves to be seen. --Jeff Shannon

Godzilla Bandai 6.5 Inch Classic Figure Godzilla Millennium

Ghost Dog - Way of Samurai - Whitaker Jarmusch 11x17 Poster

  • 11x17 INCHES
A black hitman goes by the name Ghost Dog and lives by the code of the samurai.
Genre: Feature Film Urban Action
Rating: R
Release Date: 21-OCT-2003
Media Type: DVDForest Whitaker makes an unlikely modern samurai with his laser-sighted pistols, shabby street clothes, and oddly graceful gait--but then Ghost Dog: The Way of the Samurai is an unusual film. Quirky, contemplative, and at times absurd, it's just the kind offbeat vision we've come to expect from the fiercely independent Jim Jarmusch (Stranger than Paradise, Dead Man). Whitaker is Ghost Dog, a mysterious New York hit man who lives simply on a tenement rooftop and follows a code of behavior outlined in Hagakure: The Book of the Samurai (passages of this book are interspersed throughout the film). When the local mob marks him for death in a complicated cod! e of Mafiosi-style honor, Ghost Dog sends a cryptic message to his foes. "That's poetry. The poetry of war," remarks mobster Henry Silva, with sudden respect upon reading the verse. He could be describing the ethereal beauty of Jarmusch's vision, full of wonderful imagery (a night drive across town seems to float in time) and off-center humor. Though it briefly stalls in a series of assassinations (Jarmusch is no action director), it settles back into character-driven drama in a quietly epic showdown, equal parts samurai adventure, spaghetti western, and existential crime movie. The film is likely too unconventional and offbeat for general audiences, but cult-movie buffs and Jarmusch fans will appreciate his idiosyncratic vision. He finds a strange sense of honor in the clash of Old World traditions, and salutes his heroes with a skewed but sincere respect. --Sean AxmakerForest Whitaker makes an unlikely modern samurai with his laser-sighted pistols, shabby street cl! othes, and oddly graceful gait--but then Ghost Dog: The Way! of the Samurai is an unusual film. Quirky, contemplative, and at times absurd, it's just the kind offbeat vision we've come to expect from the fiercely independent Jim Jarmusch (Stranger than Paradise, Dead Man). Whitaker is Ghost Dog, a mysterious New York hit man who lives simply on a tenement rooftop and follows a code of behavior outlined in Hagakure: The Book of the Samurai (passages of this book are interspersed throughout the film). When the local mob marks him for death in a complicated code of Mafiosi-style honor, Ghost Dog sends a cryptic message to his foes. "That's poetry. The poetry of war," remarks mobster Henry Silva, with sudden respect upon reading the verse. He could be describing the ethereal beauty of Jarmusch's vision, full of wonderful imagery (a night drive across town seems to float in time) and off-center humor. Though it briefly stalls in a series of assassinations (Jarmusch is no action director), it settles back into character-dr! iven drama in a quietly epic showdown, equal parts samurai adventure, spaghetti western, and existential crime movie. The film is likely too unconventional and offbeat for general audiences, but cult-movie buffs and Jarmusch fans will appreciate his idiosyncratic vision. He finds a strange sense of honor in the clash of Old World traditions, and salutes his heroes with a skewed but sincere respect. --Sean AxmakerForest Whitaker makes an unlikely modern samurai with his laser-sighted pistols, shabby street clothes, and oddly graceful gait--but then Ghost Dog: The Way of the Samurai is an unusual film. Quirky, contemplative, and at times absurd, it's just the kind offbeat vision we've come to expect from the fiercely independent Jim Jarmusch (Stranger than Paradise, Dead Man). Whitaker is Ghost Dog, a mysterious New York hit man who lives simply on a tenement rooftop and follows a code of behavior outlined in Hagakure: The Book of the Samurai (passages of this book are interspersed throughout the film)! . When t he local mob marks him for death in a complicated code of Mafiosi-style honor, Ghost Dog sends a cryptic message to his foes. "That's poetry. The poetry of war," remarks mobster Henry Silva, with sudden respect upon reading the verse. He could be describing the ethereal beauty of Jarmusch's vision, full of wonderful imagery (a night drive across town seems to float in time) and off-center humor. Though it briefly stalls in a series of assassinations (Jarmusch is no action director), it settles back into character-driven drama in a quietly epic showdown, equal parts samurai adventure, spaghetti western, and existential crime movie. The film is likely too unconventional and offbeat for general audiences, but cult-movie buffs and Jarmusch fans will appreciate his idiosyncratic vision. He finds a strange sense of honor in the clash of Old World traditions, and salutes his heroes with a skewed but sincere respect. --Sean AxmakerForest Whitaker makes an unlikely modern samu! rai with his laser-sighted pistols, shabby street clothes, and oddly graceful gait--but then Ghost Dog: The Way of the Samurai is an unusual film. Quirky, contemplative, and at times absurd, it's just the kind offbeat vision we've come to expect from the fiercely independent Jim Jarmusch (Stranger than Paradise, Dead Man). Whitaker is Ghost Dog, a mysterious New York hit man who lives simply on a tenement rooftop and follows a code of behavior outlined in Hagakure: The Book of the Samurai (passages of this book are interspersed throughout the film). When the local mob marks him for death in a complicated code of Mafiosi-style honor, Ghost Dog sends a cryptic message to his foes. "That's poetry. The poetry of war," remarks mobster Henry Silva, with sudden respect upon reading the verse. He could be describing the ethereal beauty of Jarmusch's vision, full of wonderful imagery (a night drive across town seems to float in time) and off-center humor.! Though it briefly stalls in a series of assassinations (Jarmu! sch is n o action director), it settles back into character-driven drama in a quietly epic showdown, equal parts samurai adventure, spaghetti western, and existential crime movie. The film is likely too unconventional and offbeat for general audiences, but cult-movie buffs and Jarmusch fans will appreciate his idiosyncratic vision. He finds a strange sense of honor in the clash of Old World traditions, and salutes his heroes with a skewed but sincere respect. --Sean AxmakerIndie film director Jim Jarmusch always works an unexpected angle, whether it's offbeat humor, a nonlinear narrative, or specific and idiosyncratic characterization. For his latest film--the story of a ghetto hit man who lives by the codes of the Hagakure, an 18th-century Japanese warrior text--Jarmusch enlisted RZA, a founding member of the Wu-Tang Clan. Instead of imagistic tone poems that serve to reinforce a certain mood, à la Neil Young on Dead Man, RZA offers active gunplay that propels the fil! m's narrative. The 11 tracks serve as an RZA-producer showcase, standing as independent pieces, regardless of the movie itself. Tracks vary from the subdued "4 Sho Sho," which interpolates Forest Whitaker's interior monologue with RZA's street visions, to the stuttering rhythms of Kool G. Rap's "Cakes." Tekitha's '70s disco groove for "Walkin' Through the Darkness" offers unexpected sensuality, while "The Man" by Masta Killah sets things back on the gangsta tip. --Rob O'Connor Forest Whitaker makes an unlikely modern samurai with his laser-sighted pistols, shabby street clothes, and oddly graceful gait--but then Ghost Dog: The Way of the Samurai is an unusual film. Quirky, contemplative, and at times absurd, it's just the kind offbeat vision we've come to expect from the fiercely independent Jim Jarmusch (Stranger than Paradise, Dead Man). Whitaker is Ghost Dog, a mysterious New York hit man who lives simply on a tenement rooftop and follows a c! ode of behavior outlined in Hagakure: The Book of the Samur! ai ( passages of this book are interspersed throughout the film). When the local mob marks him for death in a complicated code of Mafiosi-style honor, Ghost Dog sends a cryptic message to his foes. "That's poetry. The poetry of war," remarks mobster Henry Silva, with sudden respect upon reading the verse. He could be describing the ethereal beauty of Jarmusch's vision, full of wonderful imagery (a night drive across town seems to float in time) and off-center humor. Though it briefly stalls in a series of assassinations (Jarmusch is no action director), it settles back into character-driven drama in a quietly epic showdown, equal parts samurai adventure, spaghetti western, and existential crime movie. The film is likely too unconventional and offbeat for general audiences, but cult-movie buffs and Jarmusch fans will appreciate his idiosyncratic vision. He finds a strange sense of honor in the clash of Old World traditions, and salutes his heroes with a skewed but sincere respect.! --Sean Axmaker
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