Friday, November 4, 2011

The Coen Brothers Movie Collection (Fargo / Miller's Crossing / Barton Fink / Raising Arizona / Blood Simple)

  • Fargo - Languages English and French, Subtitles English, French, Spanish
  • Raising Arizona - Languages English and French, Subtitles English, Spanish
  • Miller's Crossing - Languages English, Spanish, French; Subtitles English, Spanish
  • Blood Simple - Language English, Subtitles English, Spanish, French
  • Barton Fink - Languages English, Spanish, French; Subtitles English, Spanish
BLOOD SIMPLE - DVD MovieThe debut film of director Joel Coen and his brother-producer Ethan Coen, 1983's Blood Simple is grisly comic noir that marries the feverish toughness of pulp thrillers with the ghoulishness of even pulpier horror. (Imagine the novels of Jim Thompson somehow fused with the comic tabloid Weird Tales, and you get the idea.) The story concerns a Texas bar owner (Dan Hedaya) who hires a seedy private detective (M. Emmett Walsh) to follow his cheating wife (Fr! ances McDormand in her first film appearance), and then kill her and her lover (John Getz). The gumshoe turns the tables on his client, and suddenly a bad situation gets much, much worse, with some violent goings-on that are as elemental as they are shocking. (A scene in which a character who has been buried alive suddenly emerges from his own grave instantly becomes an archetypal nightmare.) Shot by Barry Sonnenfeld before he became an A-list director in Hollywood, Blood Simple established the hyperreal look and feel of the Coens' productions (undoubtedly inspired a bit by filmmaker Sam Raimi, whose The Evil Dead had just been coedited by Joel). Sections of the film have proved to be an endurance test for art-house movie fans, particularly an extended climax that involves one shock after another but ends with a laugh at the absurdity of criminal ambition. This is definitely one of the triumphs of the 1980s and the American independent film scene in general. --Tom KeoghStudio: Tcfhe Release Date: 08/30/2011 Run ! time: 95 minutes Rating: RThe debut film of director Joel Coen and his brother-producer Ethan Coen, 1983's Blood Simple is grisly comic noir that marries the feverish toughness of pulp thrillers with the ghoulishness of even pulpier horror. (Imagine the novels of Jim Thompson somehow fused with the comic tabloid Weird Tales, and you get the idea.) The story concerns a Texas bar owner (Dan Hedaya) who hires a seedy private detective (M. Emmett Walsh) to follow his cheating wife (Frances McDormand in her first film appearance), and then kill her and her lover (John Getz). The gumshoe turns the tables on his client, and suddenly a bad situation gets much, much worse, with some violent goings-on that are as elemental as they are shocking. (A scene in which a character who has been buried alive suddenly emerges from his own grave instantly becomes an archetypal nightmare.) Shot by Barry Sonnenfeld before he became an A-list director in Hollywood, Blood Simple establ! ished the hyperreal look and feel of the Coens' productions (undoubtedly inspired a bit by filmmaker Sam Raimi, whose The Evil Dead had just been coedited by Joel). Sections of the film have proved to be an endurance test for art-house movie fans, particularly an extended climax that involves one shock after another but ends with a laugh at the absurdity of criminal ambition. This is definitely one of the triumphs of the 1980s and the American independent film scene in general. --Tom KeoghThe debut film of director Joel Coen and his brother-producer Ethan Coen, 1983's Blood Simple is grisly comic noir that marries the feverish toughness of pulp thrillers with the ghoulishness of even pulpier horror. (Imagine the novels of Jim Thompson somehow fused with the comic tabloid Weird Tales, and you get the idea.) The story concerns a Texas bar owner (Dan Hedaya) who hires a seedy private detective (M. Emmett Walsh) to follow his cheating wife (Frances M! cDormand in her first film appearance), and then kill her and ! her love r (John Getz). The gumshoe turns the tables on his client, and suddenly a bad situation gets much, much worse, with some violent goings-on that are as elemental as they are shocking. (A scene in which a character who has been buried alive suddenly emerges from his own grave instantly becomes an archetypal nightmare.) Shot by Barry Sonnenfeld before he became an A-list director in Hollywood, Blood Simple established the hyperreal look and feel of the Coens' productions (undoubtedly inspired a bit by filmmaker Sam Raimi, whose The Evil Dead had just been coedited by Joel). Sections of the film have proved to be an endurance test for art-house movie fans, particularly an extended climax that involves one shock after another but ends with a laugh at the absurdity of criminal ambition. This is definitely one of the triumphs of the 1980s and the American independent film scene in general. --Tom KeoghBrilliant Filmmaking Comes Alive On Blu-ray.

The! films of Academy Award® Winners Joel Coen and Ethan Coen are breathtakingly bold, stunningly original and marvelously entertaining. This must-own collection from these visionary filmmakers includes four iconic movies, presented in breathtaking Blu-ray high definition.

Blood Simple Blu-ray
From the celebrated filmmaking team of Joel Coen and Ethan Coen (Fargo, Raising Arizona), comes this visually stunning tale of a double-crossâ€"and murderâ€"in a small town. When the owner of a backwoods bar hires a man to kill his cheating wife and her boyfriend, he opens a door into the criminal world that he’ll never be able to shut. Blood Simple hurtles forward with the speed and intensity of a fired bullet...and delivers as devastating an impact as has ever been felt from a noir film!

Fargo Blu-ray
Nominated for seven Oscars® and winner of two, this darkly amusing thriller combines a first-rate! cast, "a dazzling mix of mirth and malice" (Rolling Stone) an! d a biza rre kidnapping plot that unravels the Midwest like never before. Starring Frances McDormand, William H. Macy and Steve Buscemi, Fargo is a brilliant tour de force from the creators of Raising Arizona and O Brother, Where Art Thou?

Miller's Crossing Blu-ray
Filmmakers Joel and Ethan Coen (Raising Arizona, Fargo) create a complex and graphic vision of gangsterism set during Prohibition and featuring a riveting rouges’ gallery of killers and con men.

Leo (Albert Finney), a likeable Irish gangster boss, rules an Eastern city along with Tom (Gabriel Byrne), his trusted lieutenant and counselor. But just as their authority is challenged by an Italian underboss (Jon Polito) and his ruthless henchman (J.E. Freeman), Leo and Tom also fall for the same woman (Marcia Gay Harden). Tom, caught in the jaws of a gangland power struggle, walks a deadly tightrope as he tries to control and manipulate its violent outcome.

Raising Arizona Blu-ray
Nicolas Cage, Holly Hunter and John Goodman lead an all-star cast in Ethan and Joel Coen’s celebrated comedy.

Once he decides to give up crime, a small-time robber (Cage) proposes to a pretty cop (Hunter). But when the newlyweds learn they can’t conceive a baby, they decide to steal one from a couple who seem to have one to spare â€" since they just had quintuplets! With its outrageous plot, fast-paced action and even some wild pyrotechnics, Raising Arizona will forever have a place in the hearts of lovers â€" and film lovers â€" everywhere.Review for Blood Simple
The debut film of director Joel Coen and his brother-producer Ethan Coen, 1983's Blood Simple is grisly comic noir that marries the feverish toughness of pulp thrillers with the ghoulishness of even pulpier horror. (Imagine the novels of Jim Thompson somehow fused with the comic tabloid Weird Tales, and you get the idea.) The story concerns a Texas bar own! er (Dan Hedaya) who hires a seedy private detective (M. Emmett Walsh) to follow his cheating wife (Frances McDormand in her first film appearance), and then kill her and her lover (John Getz). The gumshoe turns the tables on his client, and suddenly a bad situation gets much, much worse, with some violent goings-on that are as elemental as they are shocking. (A scene in which a character who has been buried alive suddenly emerges from his own grave instantly becomes an archetypal nightmare.) Shot by Barry Sonnenfeld before he became an A-list director in Hollywood, Blood Simple established the hyperreal look and feel of the Coens' productions (undoubtedly inspired a bit by filmmaker Sam Raimi, whose The Evil Dead had just been coedited by Joel). Sections of the film have proved to be an endurance test for art-house movie fans, particularly an extended climax that involves one shock after another but ends with a laugh at the absurdity of criminal ambition! . This is definitely one of the triumphs of the 1980s and the American independent film scene in general. --Tom Keogh

Review for Fargo
Leave it to the wildly inventive Coen brothers (Joel directs, Ethan produces, they both write) to concoct a fiendishly clever kidnap caper that's simultaneously a comedy of errors, a Midwestern satire, a taut suspense thriller, and a violent tale of criminal misfortune. It all begins when a hapless car salesman (played to perfection by William H. Macy) ineptly orchestrates the kidnapping of his own wife. The plan goes horribly awry in the hands of bumbling bad guys Steve Buscemi and Peter Stormare (one of them being described by a local girl as "kinda funny lookin'" and "not circumcised"), and the pregnant sheriff of Brainerd, Minnesota, (played exquisitely by Frances McDormand in an Oscar-winning role) is suddenly faced with a case of multiple murders. Her investigation is lace! d with offbeat observations about life in the rural hinterlan! d of Min nesota and North Dakota, and Fargo embraces its local yokels with affectionate humor. At times shocking and hilarious, Fargo is utterly unique and distinctly American, bearing the unmistakable stamp of its inspired creators. --Jeff Shannon

Review for Miller's Crossing
Arguably the best film by Joel and Ethan Coen, the 1990 Miller's Crossing stars Gabriel Byrne as Tom, a loyal lieutenant of a crime boss named Leo (Albert Finney) who is in a Prohibition-era turf war with his major rival, Johnny Caspar (Jon Polito). A man of principle, Tom nevertheless is romantically involved with Leo's lover (Marcia Gay Harden), whose screwy brother (John Turturro) escapes a hit ordered by Caspar only to become Tom's problem. Making matters worse, Tom has outstanding gambling debts he can't pay, which keeps him in regular touch with a punishing enforcer. With all the energy the Coens put into their films, and! all their focused appreciation of genre conventions and rules, and all their efforts to turn their movies into ironic appreciations of archetypes in American fiction, they never got their formula so right as with Miller's Crossing. With its Hammett-like dialogue and Byzantine plot and moral chaos mitigated by one hero's personal code, the film so transcends its self-scrutiny as a retro-crime thriller that it is a deserved classic in its own right. --Tom Keogh

Review for Raising Arizona
Blood Simple made it clear that the cinematically precocious Coen brothers (writer-director Joel and writer-producer Ethan) were gifted filmmakers to watch out for. But it was the outrageously farcical Raising Arizona that announced the Coens' darkly comedic audacity to the world. It wasn't widely seen when released in 1987, but its modest audience was vocally supportive, and this hyperactive comedy has ! since developed a large and loyal following. It's the story o! f "Ed" ( for Edwina, played by Holly Hunter), a policewoman who falls in love with "Hi" (for H.I. McDonnough, played by Nicolas Cage) while she's taking his mug shots. She's infertile and he's a habitual robber of convenience stores, and their folksy marital bliss depends on settling down with a rug rat. Unable to conceive, they kidnap one of the newsworthy quintuplets born to an unpainted-furniture huckster named Nathan Arizona (Trey Wilson), who quickly hires a Harley-riding mercenary (Randall "Tex" Cobb) to track the baby's whereabouts. What follows is a full-throttle comedy that defies description, fueled by the Coens' lyrical redneck dialogue, the manic camerawork of future director Barry Sonnenfeld, and some of the most inventively comedic chase scenes ever filmed. Some will dismiss the comedy for being recklessly over-the-top; others will love it for its clever mix of slapstick action, surreal fantasy, and homespun family values. One thing's for sure--this is a C! oen movie from start to finish, and that makes it undeniably unique. --Jeff ShannonThe debut film of director Joel Coen and his brother-producer Ethan Coen, 1983's Blood Simple is grisly comic noir that marries the feverish toughness of pulp thrillers with the ghoulishness of even pulpier horror. (Imagine the novels of Jim Thompson somehow fused with the comic tabloid Weird Tales, and you get the idea.) The story concerns a Texas bar owner (Dan Hedaya) who hires a seedy private detective (M. Emmett Walsh) to follow his cheating wife (Frances McDormand in her first film appearance), and then kill her and her lover (John Getz). The gumshoe turns the tables on his client, and suddenly a bad situation gets much, much worse, with some violent goings-on that are as elemental as they are shocking. (A scene in which a character who has been buried alive suddenly emerges from his own grave instantly becomes an archetypal nightmare.) Shot by Barry Sonnenfeld b! efore he became an A-list director in Hollywood, Blood Simp! le e stablished the hyperreal look and feel of the Coens' productions (undoubtedly inspired a bit by filmmaker Sam Raimi, whose The Evil Dead had just been coedited by Joel). Sections of the film have proved to be an endurance test for art-house movie fans, particularly an extended climax that involves one shock after another but ends with a laugh at the absurdity of criminal ambition. This is definitely one of the triumphs of the 1980s and the American independent film scene in general. --Tom KeoghDisc 1: Barton Fink WS Disc 2: Blood Simple WS Disc 3: Fargo WS Disc 4: Miller's Crossing WS Disc 5: Raising Arizona WS

Bright Future

  • Acclaimed director Kiyoshi Kurosawa (Cure, Pulse) departs from the horror genre for this mystical story of urban ennui. Friends Mamoru and Yuji, played by Tadanobu Asano (Zatoichi, Last Life In The Universe) and Joe Odagiri (Out Of This World, Azumi) are aimless young men stuck in dead-end jobs in a dreary factory in Tokyo. Mamoru, the more antisocial of the two, is obsessed with his pet project o
The authoritative AAP Guidelines for Health Supervision III you’ve relied on for years is combined with the practical approach Bright Futures delivers. Now the authoritative AAP Guidelines for Health Supervision III you’ve relied on for years is combined with the practical approach Bright Futures delivers. The result: an updated, highly efficient system to help you provide better health care, save time, and keep up with changes in family, communities, and society that impact child’s heal! th. The most current recommendations for the top 10 areas of child development Part I is organized into 10 themes common to all stages of child development, with special emphasis on 2 new significant challenges: mental health and healthy weight. One volume with the most up-to-date well-child supervision standards Part II focuses on specific guidance for each of 31 age-based health care visits. Each visit enumerates 5 priorities for that visit, including sample questions and discussion points for both parent and child.
Friends Mamoru and Yuji are aimless young men stuck in dead-end jobs in a dreary factory in Tokyo. Mamoru, the more antisocial of the two, is obsessed with his pet project of acclimating a poisonous jellyfish to fresh water by gradually changing the water in its tank. One night, he inexplicably murders his boss’ family and is sentenced to death. Yuji, left to continue the jellyfish experiment, befriends Mamoru’s estranged father, and the two form! a bond. But Yuji’s attachment to the jellyfish is even str! onger, a nd problems arise when he accidentally releases the poisonous creature into the canals of Tokyo

Werther's Original Hard Candies, 34-oz.

  • Contains milk, soybeans and wheat
  • Artificially flavored with vanillin
A smart, charming teenage girl, Hayley probably shouldn't be going to a local coffee shop to meet Jeff, a 30-something fashion photographer she met on the Internet. But before she knows it, she's mixing drinks at Jeff's place and stripping for an impromptu photo shoot. It's Jeff's lucky night. But Hayley isn't as innocent as she looks, and the night takes a turn when she begins to impose a hard-hitting investigation on Jeff in an attempt to reveal his possibly scandalous past.The supercharged possibilities of a single set and two amped-up actors are explored in Hard Candy, a twisted cocktail with a poison kicker. After a flirtatious encounter in an online chat room, two people agree to meet for coffee: a 32-year-old man (Patrick Wilson) and a 14-year-old girl (Ellen Page). They quickly advance to his house, ! and just as quickly, the apparent pedophilic seduction morphs into something else entirely. After the tables turn, Hard Candy becomes a tale of revenge and torture that might have tempted a filmmaker like Park Chanwook. Here, first-time feature director David Slade opts for a slick look that stays close to the actors, and you can't really blame him--this movie is like a conceptual, more-than-slightly unbelievable off-Broadway play, a showcase for actors and "controversial" ideas. Those actors are strong: Patrick Wilson (Angels in America, Phantom of the Opera) is every bit as creepy as he needs to be, and Ellen Page has nothing short of a triumph. The Canadian actress was around 18 when she shot the film, but looks like an adolescent, which makes her authoritative wrath all the more shocking to witness. The provocations of Hard Candy sometimes seem arbitrary or forced, but Page's electrifying performance can't be denied, or dismissed. --Rober! t HortonThe classic cream candy made with real butter and ! fresh cr eam

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