FELICIA'S JOURNEY ORIGINAL MOVIE POSTER
- VIDEO 27X41 NEW
- DESCRIPTION:Â Authentic original (or specified high quality reproduction) one-sheet movie poster.
- SIZE: Approx 27x40 inches unless otherwise stated.
Egoyan's movies often seem located underwater, in some surreal dreamscape where one's breath is perpetually suspended while a slow horror seeps ever deeper under the skin. Helpless, transfixed, one watches as his characters drive inexorably toward mined intersections where lives and souls may be lost or redeemed. When Hilditch's path crosses, diverges from, and finally coinci! des with that of young, pregnant Felicia (Elaine Cassidy)--an Irish innocent searching for her errant boyfriend--it leads to terrible epiphany for these fellow travelers. Trouble is, creepy Hilditch and too-naive Felicia come up a bit short in the psychological complexity department, so by film's end, revelatory payoffs are mostly penny ante. Felica's Journey tours familiar Egoyan territory--an industrialized wasteland full of hungry hearts--but this latest fairy tale (think perverse variations on Hansel and Gretel) isn't in the same league with such "family values" masterpieces as Exotica or The Sweet Hereafter. --Kathleen Murphy
Author Felicia Ricci wears her heart on her sleeve as she tackles the role of Elphaba, Wicked's green-skinned heroine. She leaps countless hurdles, both professional and personal: conquering the "Songs of Death," weathering a trans-continental "Week I Didn't Poop," enduring the artistic limbo of understudying, and -- worst of all! -- meeting the man of her dreams. And all the while learning, time and again, what it means to be "green."
Hop into the mind of an over-sharer as she discovers Broadway's Man Behind the Curtain -- and the thrill and terror of personal growth.
Issues addressed include Hitchcockian influences, the sense of place in the visual discourse, and the characterization of the serial killer Hilditch, as constructed initially by Trevor and interpreted by Egoyan. Eschewing a crude "fidelity" model of adaptation, the study explores Egoyan's screen version as a commentary on, or signi! ficant reworking of, the original book. In particular, Egoyan'! s extens ion of the mother figure, through his creation of Gala, opens questions about memory, representation, and cinema's capacity as a reflexive medium which is a central feature of his film art.PRODUCT DESCRIPTION: At Moviestore we have an unbeatable range of both original and classic high quality reproduction movie posters. Movie poster art is a wonderful collectible item and great for home or office decor. We have been in business for 16 years so you can buy with confidence. Our guarantee - if you are not fully satisfied with your purchase from Moviestore we will gladly refund your money.